"21 Hungarian Dances, WoO 1: Hungarian Dance No. 5: Allegro (orch. M. Schmeling)" by Johannes Brahms, Andras Keller, Kálmán Balogh, Budapest Festival Orchestra, Iván Fischer was released on July 15, 2014. The duration of 21 Hungarian Dances, WoO 1: Hungarian Dance No. 5: Allegro (orch. M. Schmeling) is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. 21 Hungarian Dances, WoO 1: Hungarian Dance No. 5: Allegro (orch. M. Schmeling)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 21 in Brahms: Hungarian Dances Nos. 1-21 by Johannes Brahms, Iván Fischer. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. 21 Hungarian Dances, WoO 1: Hungarian Dance No. 5: Allegro (orch. M. Schmeling) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 21 Hungarian Dances, WoO 1: Hungarian Dance No. 5: Allegro (orch. M. Schmeling) by Johannes Brahms, Andras Keller, Kálmán Balogh, Budapest Festival Orchestra, Iván Fischer is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Renaud Capuçon, Daniel Harding, Deutsche Kammerphilharmonie Bremen | G Minor | 2 | 6A | 88 BPM | ||
Bank ban: Prelude | Ferenc Erkel, Jozsef Simandy, Karola Agay, Sandor Sòlyom-Nagy, Erzsebet Komlossy, Jozsef Reti, András Faragó, Laszlo Palocz, Gyorgy Melis, Imre Joky, András Rajna, Hungarian State Opera Chorus, Budapest Philharmonic Orchestra, Janos Ferencsik | C Major | 1 | 8B | 125 BPM | ||
Liszt: 6 Grandes études de Paganini, S. 141: No. 3 La Campanella | Franz Liszt, François-René Duchâble | B Minor | 1 | 10A | 85 BPM | ||
Histoire De La Forêt Viennoise | Various Artists | G Major | 1 | 9B | 166 BPM | ||
Symphony No. 5 in D Minor, Op. 107, "Reformation": II. Allegro vivace | Felix Mendelssohn, Kammerakademie Potsdam, Antonello Manacorda | F Major | 1 | 7B | 60 BPM | ||
Pala Late Me Merav - Romániai Cigány Táncdallamok | Kálmán Balogh, Romano Kokalo | D Minor | 6 | 7A | 139 BPM | ||
Simple Symphony, Op. 4: Playful Pizzacato | Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford | C Major | 1 | 8B | 129 BPM | ||
Chopin / Arr. Douglas: Les sylphides: Waltz, Op. 64 No. 2 | Frédéric Chopin, Philharmonia Orchestra, Robert Irving | D♭ Minor | 1 | 12A | 74 BPM | ||
Binge: Elizabethan Serenade, "The Man in the Street" | Ronald Binge, Reginald Kilbey, Studio 2 Symphony Orchestra | F Major | 1 | 7B | 149 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM |
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