On 1986, the song "Serenata from "Pulcinella"" was released by Igor Stravinsky, Branford Marsalis, Andrew Litton, English Chamber Orchestra. The duration of Serenata from "Pulcinella" is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Serenata from "Pulcinella"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Romances For Saxophone". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Based on our statistics, Serenata from "Pulcinella"'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Serenata from "Pulcinella" by Igor Stravinsky, Branford Marsalis, Andrew Litton, English Chamber Orchestra having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, David Zinman | C Major | 0 | 8B | 73 BPM | ||
Symphony No. 3 in D Major, Op. 29 "Polish": III. Andante elegiaco | Pyotr Ilyich Tchaikovsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | G Minor | 1 | 6A | 105 BPM | ||
Divertimento: II. Waltz: Allegretto, con grazia | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
String Quartet No.14 In C Sharp Minor, Op.131: 6. Adagio quasi un poco andante | Ludwig van Beethoven, Emerson String Quartet | A♭ Minor | 0 | 1A | 91 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": III. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | D Major | 3 | 10B | 156 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
Violin Concerto No. 2 In G Minor, Op. 63: 1. Allegro moderato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Minor | 1 | 6A | 65 BPM |
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