"Arie con istromenti: In questo estremo addio" by Maria Teresa Agnesi Pinottini, Thaleia Ensemble, Laura Martinez Boj, Ángela Lobato del Castillo had its release date on February 17, 2023. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Thaleia Ensemble, Laura Martinez Boj, Ángela Lobato del Castillo's "Maria Antonia e Teresa, o il trionfo delle donne" album is number 10 out of 10. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Arie con istromenti: In questo estremo addio is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Arie con istromenti: In questo estremo addio by Maria Teresa Agnesi Pinottini, Thaleia Ensemble, Laura Martinez Boj, Ángela Lobato del Castillo to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona | Tarquinio Merula, London Baroque | B Major | 3 | 1B | 168 BPM | ||
Jupiter | Antoine Forqueray, Scott Ross | B Minor | 5 | 10A | 84 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Allegro | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F♯ Major | 4 | 2B | 129 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": I. Allegro ma non troppo - Allegro assai | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 2 | 3B | 127 BPM | ||
Livre 3: Médée | Jacques Duphly, Mario Raskin | E Minor | 5 | 9A | 131 BPM | ||
Flute Sonata in G Minor, Op. 1 No. 5: I. Allegro (Flötensonate Nr. 5 in G-Moll/Sonate pour flûte nº 5 en sol mineur) | Anna Bon, Hans-Joachim Fuss, Nicolau de Figueiredo, René Schiffer | F♯ Minor | 1 | 11A | 119 BPM | ||
暮景に心を馳せて·2 | HOYO-MiX | D♭ Major | 6 | 3B | 77 BPM | ||
Adagio & Fugue | Wilhelm Friedemann Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 114 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6: III. Allegro | Arcangelo Corelli, Enrico Onofri | G Major | 3 | 9B | 116 BPM | ||
Scarlatti, D: Keyboard Sonata in D Minor, Kk. 9 | Domenico Scarlatti, Scott Ross | E Major | 4 | 12B | 120 BPM |