- BPM
- 123
- Key
- D♭ Major
- Camelot
- 3B
War Requiem, Op. 66: Libera me - (Rehearsal) - Benjamin Britten, John Culshaw Information
- Acousticness
- 38%
- Danceability
- 54%
- Energy
- 20%
- Instrumentalness
- 0%
- Liveness
- 34%
- Loudness
- 53%
- Speechiness
- 54%
- Valence
- 53%
- Popularity
- 1%
- Loudness
- -28.371 dB
Summary
Benjamin Britten, John Culshaw made "War Requiem, Op. 66: Libera me - (Rehearsal)" available on May 1, 1963. With War Requiem, Op. 66: Libera me - (Rehearsal) being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 28 out of 30 in Britten: War Requiem by Benjamin Britten, Galina Vishnevskaya, Sir Peter Pears, Dietrich Fischer-Dieskau, London Symphony Chorus, The Bach Choir, Melos Ensemble, London Symphony Orchestra. Based on our statistics, War Requiem, Op. 66: Libera me - (Rehearsal)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
War Requiem, Op. 66: Libera me - (Rehearsal) BPM
The tempo marking of War Requiem, Op. 66: Libera me - (Rehearsal) by Benjamin Britten, John Culshaw is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
War Requiem, Op. 66: Libera me - (Rehearsal) Key
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Gloria, FP 144: 5. Domine Deus, Agnus Dei | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | E Major | 1 | 12B | 95 BPM | |
 | Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM | |
 | Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 85 BPM | |
 | La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | |
 | Salome, Op. 54, TrV 215 / Scene 4: Salome's Dance of the Seven Veils | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 67 BPM | |
 | Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | |
 | Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | |
 | St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | |
 | Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | |
 | Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8442685604095459
End: 0.8518309593200684