Hugo Alfvén, Peter Friis Johansson's '4 Låtar från Leksand (After L. Mats): No. 4, Danslek' came out on May 6, 2022. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 21 in At Home with Hugo Alfvén: Songs & Piano Pieces by Hugo Alfvén, Elin Rombo, Peter Friis Johansson. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, 4 Låtar från Leksand (After L. Mats): No. 4, Danslek is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 4 Låtar från Leksand (After L. Mats): No. 4, Danslek by Hugo Alfvén, Peter Friis Johansson is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gotländsk bröllopsmarsch | Trio ur Nyse | G Major | 2 | 9B | 78 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Lay a garland on her hearse | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | C Minor | 1 | 5A | 129 BPM | ||
Københavns Jernbanedamp Galop (1847) | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 3 | 10B | 84 BPM | ||
Wie liegt die Stadt so wust | Rudolf Mauersberger, Sospiri, Christopher Watson | B♭ Minor | 0 | 3A | 145 BPM | ||
The Ground | Ola Gjeilo, Phoenix Chorale, Charles Bruffy, Harrington String Quartet | E♭ Major | 0 | 5B | 83 BPM | ||
Norge, Mitt Norge | N/A, Bodø Domkor | A♭ Major | 2 | 4B | 107 BPM | ||
Coronation Te Deum | William Walton, Martin Neary, The Choir Of Westminster Abbey, London Brass, English Chamber Orchestra, Martin Baker | A Major | 1 | 11B | 81 BPM | ||
Eight Part Songs, Op. 115: III. The Blue Bird | Charles Villiers Stanford, National Youth Choir Of Great Britain, Bethany Partridge, Christopher Hann | F♯ Major | 0 | 2B | 77 BPM | ||
Min Jesus, Lad Mit Hjerte Få | Ars Nova Copenhagen | A Major | 0 | 11B | 117 BPM |
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