The Sleeping Beauty, Suite, Op. 66a, TH 234: Pas de caractère: Puss in Boots - Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, James Levine Information

Acousticness: 98%
Danceability: 31%
Energy: 1%
Instrumentalness: 75%
Liveness: 5%
Loudness: 59%
Speechiness: 4%
Valence: 22%
Popularity: 0%
Loudness: -24.399 dB

Summary

Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, James Levine's 'The Sleeping Beauty, Suite, Op. 66a, TH 234: Pas de caractère: Puss in Boots' came out on September 26, 2022. With The Sleeping Beauty, Suite, Op. 66a, TH 234: Pas de caractère: Puss in Boots being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 215 out of 373 in A Dose of Tchaikovsky by Pyotr Ilyich Tchaikovsky. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, The Sleeping Beauty, Suite, Op. 66a, TH 234: Pas de caractère: Puss in Boots is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Sleeping Beauty, Suite, Op. 66a, TH 234: Pas de caractère: Puss in Boots BPM

The tempo marking of The Sleeping Beauty, Suite, Op. 66a, TH 234: Pas de caractère: Puss in Boots by Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, James Levine is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

The Sleeping Beauty, Suite, Op. 66a, TH 234: Pas de caractère: Puss in Boots Key

This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
3 Nouvelles etudes, Op. posth.: II. Etude No. 26 in A-Flat Major	Frédéric Chopin, Idil Biret	A♭ Major	0	4B	74 BPM
Serenade for Strings in E Major, Op. 22, B. 52: IV. Larghetto	Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung	A Major	1	11B	79 BPM
Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso	Johannes Brahms, London Symphony Orchestra, Valery Gergiev	A♭ Major	1	4B	133 BPM
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926	Janos Sebestyen, Johann Sebastian Bach	G Minor	2	6A	126 BPM
Carnaval, Op. 9: No. 12. Chopin	Robert Schumann, Boris Giltburg	C Major	1	8B	77 BPM
Carmen Suite No. 1: 2. Aragonaise	Georges Bizet, Orchestre de Paris, Semyon Bychkov	D Minor	0	7A	120 BPM
Nocturne No. 1 in B flat minor, Op. 9 No. 1	Frédéric Chopin, Nelson Freire	D♭ Major	0	3B	62 BPM
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato	Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle	E Minor	1	9A	102 BPM
Prelude & Fugue in C Minor (Well-Tempered Clavier, Book I, No. 2), BWV 847: I. Prelude	Johann Sebastian Bach, Víkingur Ólafsson	C Minor	2	5A	65 BPM
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7	Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin	A Major	0	11B	87 BPM

ISRC: DEF059204943
Label: L-M Records/RCA Records

Section: 0.8104579448699951

End: 0.8169212341308594