Jean-Philippe Rameau, Les Arts Florissants, William Christie made "Les Indes galantes, Nouvelle Entrée, Scène 6: 1er Menuet pour les Guerriers et les Amazones - 2ème Menuet" available on October 14, 1991. With Les Indes galantes, Nouvelle Entrée, Scène 6: 1er Menuet pour les Guerriers et les Amazones - 2ème Menuet being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 59 in the song's album "Rameau: Les Indes galantes". In this album, this song's track order is #12. Furthermore, we believe that the track originated from France. Les Indes galantes, Nouvelle Entrée, Scène 6: 1er Menuet pour les Guerriers et les Amazones - 2ème Menuet is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Les Indes galantes, Nouvelle Entrée, Scène 6: 1er Menuet pour les Guerriers et les Amazones - 2ème Menuet by Jean-Philippe Rameau, Les Arts Florissants, William Christie having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Minuet in G Major, BWV Anh. 116 | Carl Philipp Emanuel Bach, Luc Beauséjour | F♯ Major | 1 | 2B | 81 BPM | ||
Matteis: Ballo dei Bagatellieri | Nicola Matteis, Maxim Emelyanychev, Il Pomo D'oro | A♭ Minor | 2 | 1A | 123 BPM | ||
Idylle sur la paix: Air pour Madame la Dauphine | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 3 | 1A | 139 BPM | ||
"Marche de triomphe et Second air de trompette" in D Major: II. Second air de trompette | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 8 | 3B | 121 BPM | ||
Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM | ||
Mondonville : Dominus regnavit : I | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | C Minor | 2 | 5A | 126 BPM | ||
Danse macabre, Op. 40, R. 171 | Camille Saint-Saëns, Luben Yordanoff, Orchestre de Paris, Daniel Barenboim | G Minor | 2 | 6A | 112 BPM | ||
Concerto in D Minor; Op. 6 No. 5: I. Largo | Charles Avison, Café Zimmermann | D♭ Minor | 1 | 12A | 134 BPM | ||
Ravel: Daphnis et Chloé Suite No. 2, M. 57b: Lever du jour | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | E Minor | 1 | 9A | 99 BPM | ||
Suite Les Boréades, RCT 31: 9. Entrée d' Albaris, Polimnie, les Muses, Zéphirs, Saisons, Les Heures et Les Arts | Jean-Philippe Rameau, Orchestra Of The 18th Century, Frans Brüggen | D♭ Major | 2 | 3B | 85 BPM |
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