"Primal Fantasia" by Bonn Classical Philharmonic was released on September 25, 2023. The duration of Primal Fantasia is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Primal Fantasia's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Soothing Piano Tones". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. Primal Fantasia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Primal Fantasia by Bonn Classical Philharmonic having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Standchen (From "Schwanengesang") (Schubert - Liszt) | Anna Malikova | D Major | 0 | 10B | 60 BPM | ||
8 Humoresques, Op. 101, B. 187: No. 7. Poco lento e grazioso in G-Flat Major | Antonín Dvořák, Balazs Szokolay | F♯ Major | 1 | 2B | 112 BPM | ||
Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace (Conclusion) | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | D Minor | 2 | 7A | 142 BPM | ||
Madama Butterfly - Opera in two acts (1986 Digital Remaster), Act II: Humming Chorus | Giacomo Puccini, Coro del Teatro dell' Opera di Roma, Orchestra Del Teatro Dell'Opera Di Roma, Gianni Lazzari, Sir John Barbirolli | B♭ Major | 0 | 6B | 74 BPM | ||
La Norma: Ouverture | Vincenzo Bellini, Rundfunkorchester Des Südwestfunks, Klaus Arp3 | A Major | 1 | 11B | 123 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood | Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra | E Major | 1 | 12B | 131 BPM | ||
Vivaldi: Mandolin Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, Europa Galante, Fabio Biondi, Giovanni Scaramuzzino | B Minor | 0 | 10A | 132 BPM | ||
Madama Butterfly / Act 2: "Coro a bocca chiusa" (Humming Chorus) | Giacomo Puccini, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | G Major | 2 | 9B | 139 BPM | ||
Giselle / Act 2: Apparition de Myrthe et évocation magique | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 187 BPM | ||
Pachelbel: Canon | Johann Pachelbel, I Musici | B Minor | 1 | 10A | 85 BPM |
Section: 0.9648928642272949
End: 0.9690589904785156