"Athalia, HWV 52: Part 1, Scene 3: No. 14 Chorus of Attendants and Sidonian Priests" by George Frideric Handel, Markus Brutscher, Friederike Holzhausen, Stephan MacLeod, Annette Reinhold, Barbara Schlick, Elisabeth Scholl, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini was released on July 28, 1998. The duration of Athalia, HWV 52: Part 1, Scene 3: No. 14 Chorus of Attendants and Sidonian Priests is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Athalia, HWV 52: Part 1, Scene 3: No. 14 Chorus of Attendants and Sidonian Priests's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel's "Handel: Athalia" album is number 15 out of 61. On top of that, Hong Kong appears to be the country where this track was created. Athalia, HWV 52: Part 1, Scene 3: No. 14 Chorus of Attendants and Sidonian Priests is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Athalia, HWV 52: Part 1, Scene 3: No. 14 Chorus of Attendants and Sidonian Priests by George Frideric Handel, Markus Brutscher, Friederike Holzhausen, Stephan MacLeod, Annette Reinhold, Barbara Schlick, Elisabeth Scholl, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Dei Filii, ZWV 20: Kyrie eleison (Coro) | Jan Dismas Zelenka, Frieder Bernius | A♭ Major | 0 | 4B | 83 BPM | ||
Gloria - Allegro (Di Molto) | Matthews, Munoz, Butterfield, Jeffrey Thomas, Arnold, American Bach Soloists | B♭ Major | 2 | 6B | 83 BPM | ||
Haydn: Mass in B-Flat Major, Hob. XXII:12 "Theresa Mass": Gloria | Joseph Haydn, Carol Vaness, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Sir Neville Marriner, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | ||
Exsultate, jubilate, K.165 (158a): III. Tu virginum corona | Wolfgang Amadeus Mozart, Regula Mühlemann, Umberto Benedetti Michelangeli | B♭ Major | 0 | 6B | 74 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. "Wie lieblich sind deine Wohnungen, Herr Zebaoth" (Choir) | Johannes Brahms, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | E♭ Major | 0 | 5B | 98 BPM | ||
Laudate, pueri Dominum | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | B Major | 1 | 1B | 142 BPM | ||
Die Jahreszeiten (The Seasons), Hob.XXI:3: Der Sommer (Summer): Trio: Sie steigt herauf, die Sonne (Hanne, Lukas, Simon, Chorus) | Joseph Haydn, Sibylla Rubens, Andreas Karasiak, Stephan MacLeod, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 2 | 7A | 133 BPM | ||
Grande Messe des Morts: XVII. Sequentia: Pie Jesu - Amen: Andante | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | G Minor | 1 | 6A | 123 BPM | ||
Du aber Daniel, gehe dahin: Du aber, Daniel gehe hin (Coro) | Georg Philipp Telemann, Gli Angeli Genève, Stephan MacLeod | D♭ Minor | 1 | 12A | 58 BPM | ||
Dido & Aeneas: Dido & Aeneas: Act III, Chorus "Great minds against themselves conspire" | Henry Purcell, Dominique Visse, John Bowen, Stephen Wallace, Lynne Dawson, Susan Bickley, René Jacobs, Maria Cristina Kiehr, Gerald Finley, Orchestra of the Age of Enlightenment, Robin Blaze, Rosemary Joshua | F♯ Minor | 1 | 11A | 75 BPM |
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