Johann Sebastian Bach, Wilhelm Kempff, Idil Biret's 'Herzlich tut mich verlangen, BWV 727 (trans. W. Kempff)' came out on May 20, 1992. The duration of Herzlich tut mich verlangen, BWV 727 (trans. W. Kempff) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Herzlich tut mich verlangen, BWV 727 (trans. W. Kempff)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wilhelm Kempff, Idil Biret's "Kempff: Italian Suite / Piano Sonata / Transcriptions" album is number 4 out of 20. In terms of popularity, Herzlich tut mich verlangen, BWV 727 (trans. W. Kempff) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Herzlich tut mich verlangen, BWV 727 (trans. W. Kempff) by Johann Sebastian Bach, Wilhelm Kempff, Idil Biret to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 9 In B, Op. 32 No. 1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 80 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
Concerto for 3 Harpsichords, Strings & Continuo No. 2 in C Major, BWV 1064: 2. Adagio | Johann Sebastian Bach, Maurizio Baglini, Marcello Mazzoni, Andrea Padova, I Solisti Filarmonici Italiani, Federico Guglielmo | D Minor | 2 | 7A | 139 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 1 - 3. Concert In A Major, TWV 53:A2: 2. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 126 BPM |
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