"O Come, O Come Emmanuel" by Benedictines of Mary, Queen of Apostles was released on February 20, 2023. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 16 in Advent at Ephesus (Rereleased) by Benedictines of Mary, Queen of Apostles. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, O Come, O Come Emmanuel is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O Come, O Come Emmanuel by Benedictines of Mary, Queen of Apostles is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All Creatures of Our God and King (Lasst Uns Erfreuen) | Ralph Vaughan Williams, Choir of King's College, Cambridge, Stephen Cleobury | E♭ Major | 1 | 5B | 116 BPM | ||
O Come, Divine Messiah | Abbé Simon-Joseph Pellegrin, Randall DeBruyn, Mary of St. Philip | G Major | 2 | 9B | 140 BPM | ||
Lo how a rose e'er blooming (Es ist ein Ros' entsprungen): Lo, how a Rose e'er blooming | Michael Praetorius, The Cambridge Singers, John Rutter | F♯ Major | 1 | 2B | 119 BPM | ||
All Is Well | Michael W. Smith | A Major | 0 | 11B | 88 BPM | ||
Walking in the Air | The City of Prague Philharmonic Orchestra, Crouch End Festival Chorus | D Minor | 2 | 7A | 177 BPM | ||
Jesus, King Of Angels | Fernando Ortega | E♭ Major | 1 | 5B | 100 BPM | ||
Let All Mortal Flesh | Fernando Ortega | D Minor | 1 | 7A | 119 BPM | ||
Halcyon Days | Melissa Dunphy, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | B♭ Minor | 0 | 3A | 87 BPM | ||
Ave Maria | Franz Biebl, Akademiska Damkören Lyran, Sophie Aminoff, Aurora Djupsjöbacka, Maïmouna Jagne-Soreau, Jutta Seppinen | C Major | 1 | 8B | 138 BPM | ||
We Three Kings of Orient Are | John Henry Hopkins, The Tabernacle Choir at Temple Square, Richard P. Condie | G Major | 1 | 9B | 101 BPM |
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