"III. Oxford, Coitus Musicalis - Victoria's Departure" by John Corigliano, Esa-Pekka Salonen was released on September 8, 1998. With this song being about 5 minutes long, at 4:40, "III. Oxford, Coitus Musicalis - Victoria's Departure" by John Corigliano, Esa-Pekka Salonen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "The Red Violin - Music from the Motion Picture". In this album, this song's track order is #11. III. Oxford, Coitus Musicalis - Victoria's Departure is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With III. Oxford, Coitus Musicalis - Victoria's Departure by John Corigliano, Esa-Pekka Salonen having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turangalîla-Symphonie: III. Turangalîla I - Presque lent, rêveur | Olivier Messiaen, Esa-Pekka Salonen | D Major | 2 | 10B | 72 BPM | ||
Respighi: Pines of Rome P. 141: The Pines of Janiculum | Ottorino Respighi, San Francisco Symphony, Esa-Pekka Salonen | B Major | 0 | 1B | 95 BPM | ||
Out of Africa: Main Title | John Barry, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | D♭ Minor | 1 | 12A | 92 BPM | ||
Piano Concerto No.3 in D minor, Op.30: First Movement Cadenza | David Helfgott | D Minor | 3 | 7A | 80 BPM | ||
Piano Concerto No. 2 in G Major, Sz. 95: I. Allegro | Béla Bartók, Pierre-Laurent Aimard, San Francisco Symphony, Esa-Pekka Salonen | C Major | 1 | 8B | 109 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso) | Robert Schumann, Hélène Grimaud, Staatskapelle Dresden, Esa-Pekka Salonen | F Major | 0 | 7B | 83 BPM | ||
Klaviersolo in A Major, WoO 10: Barcarolle | Sylvia Capova | F♯ Minor | 0 | 11A | 77 BPM | ||
Dvořák: Czech Suite in D Major, Op. 39, B. 93: IV. Romanza | Antonín Dvořák, Czech Philharmonic Orchestra, Libor Pešek | D Major | 0 | 10B | 87 BPM | ||
Romeo and Juliet, Op. 64 (Excerpts): The Balcony Scene | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 0 | 8B | 80 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Var. IX (Nimrod) | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Minor | 2 | 5A | 107 BPM |
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