"Peer Gynt Suite No. 1, Op. 46: I. Morgenstimmung (Morning Mood)" by Edvard Grieg, London Symphony Orchestra, Oivin Fjelstad was released on November 4, 2016. With this song being about 5 minutes long, at 4:33, "Peer Gynt Suite No. 1, Op. 46: I. Morgenstimmung (Morning Mood)" by Edvard Grieg, London Symphony Orchestra, Oivin Fjelstad is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in London Symphony Orchestra, Gervase De Peyer, Oivin Fjelstad, Sir Colin Davis's "Grieg: Peer Gynt Suites, Nos. 1 & 2 - Spohr: Clarinet Concerto No. 1 - Weber: Clarinet Concerto No. 2" album is number 2 out of 16. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Peer Gynt Suite No. 1, Op. 46: I. Morgenstimmung (Morning Mood)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peer Gynt Suite No. 1, Op. 46: I. Morgenstimmung (Morning Mood) by Edvard Grieg, London Symphony Orchestra, Oivin Fjelstad to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schwanensee, Op. 20: Schwanenthema | Matthias Georg Kendlinger, K & K Philharmoniker | E Minor | 2 | 9A | 137 BPM | ||
Music for The Royal Fireworks, HWV351: La Paix | George Frideric Handel, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A♭ Major | 0 | 4B | 124 BPM | ||
Geschichten aus dem Wienerwald (Tales from the Vienna Woods), Op. 325 (RV 325) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | B♭ Major | 1 | 6B | 176 BPM | ||
Light Cavalry Overture | Franz von Suppé, Royal Philharmonic Orchestra, Philip Ellis | A Major | 3 | 11B | 85 BPM | ||
Turandot, Act III: "Nessun dorma" | Giacomo Puccini, Paul Potts, Carmine Lauri, David Snell, London Symphony Orchestra | D Major | 3 | 10B | 78 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 115 BPM | ||
Swedish Rhapsody No. 1, Op. 19 'Midsummer Vigil' | Hugo Alfvén, Bournemouth Symphony Orchestra, Paavo Berglund | D Major | 2 | 10B | 101 BPM | ||
Impromptu No. 3 in G-Flat Major, Op.90, D 899 | Clare Hammond | F♯ Major | 0 | 2B | 175 BPM | ||
Parade of the Ewoks | John Williams, London Symphony Orchestra | F Major | 2 | 7B | 118 BPM | ||
Tales from Hofmann Barcarole | Frank Shipway, Royal Philharmonic Orchestra | D Major | 0 | 10B | 141 BPM |
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