"Turandot, Act III: "Nessun dorma"" by Giacomo Puccini, Paul Potts, Carmine Lauri, David Snell, London Symphony Orchestra was released on July 20, 2007. The duration of Turandot, Act III: "Nessun dorma" is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Turandot, Act III: "Nessun dorma"'s duration is considered a little bit shorter than the average duration of a typical track. Since Turandot, Act III: "Nessun dorma" only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. Turandot, Act III: "Nessun dorma" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turandot, Act III: "Nessun dorma" by Giacomo Puccini, Paul Potts, Carmine Lauri, David Snell, London Symphony Orchestra having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Frühlingsstimmen, Op.410 | Johann Strauss II, Wiener Philharmoniker, Willi Boskovsky | B♭ Major | 1 | 6B | 101 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
Turandot, Act III: Nessun dorma (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | D Major | 1 | 10B | 85 BPM | ||
Turandot / Act 3: Nessun dorma! | Russell Watson, The Metro Voices, Chamber Choir Of St. Catherine's, Bramley, Guildford, Royal Philharmonic Orchestra, William Hayward | G Major | 3 | 9B | 71 BPM | ||
With Or Without You | Military Wives | D♭ Major | 1 | 3B | 105 BPM | ||
Le nozze di Figaro, K. 492: Che soave zeffiretto | Wolfgang Amadeus Mozart, Julia Varady, Helen Donath, Sir Colin Davis, Bavarian Radio Symphony Orchestra | D Major | 0 | 10B | 83 BPM | ||
Cantami | Anna Netrebko, Yusif Eyvazov, Session Orchestra London, Ben Foster | A♭ Major | 6 | 4B | 85 BPM | ||
Piano Concerto No. 1 in B Flat minor, Op.23 - I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | D♭ Major | 3 | 3B | 123 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
I Puritani / Act 1: A te, o cara | Vincenzo Bellini, Luciano Pavarotti, Nicolai Ghiaurov, Gian Carlo Luccardi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | D Major | 2 | 10B | 86 BPM |
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