Die Frau ohne Schatten, Op. 65, TrV 234, Act II: Act II: Schlange, was hab' ich mit dir zu schaffen (Frau, Jungling, Amme, Barak)
Richard Strauss, Sabine Hogrefe, Michael Porter, Frankfurter Opern- und Museumsorchester, Tanja Ariane Baumgartner, Terje Stensvold, Sebastian Weigle
R. Strauss: Die Frau ohne Schatten, Op. 65, TrV 234
4:08 October 2, 2015
BPM
90
Key
G Minor
Camelot
6A

Embed

Share Link

Die Frau ohne Schatten, Op. 65, TrV 234, Act II: Act II: Schlange, was hab' ich mit dir zu schaffen (Frau, Jungling, Amme, Barak) - Richard Strauss, Sabine Hogrefe, Michael Porter, Frankfurter Opern- und Museumsorchester, Tanja Ariane Baumgartner, Terje Stensvold, Sebastian Weigle Information

Acousticness
95%
Danceability
32%
Energy
21%
Instrumentalness
0%
Liveness
49%
Loudness
72%
Speechiness
7%
Valence
18%
Popularity
Loudness
-16.63 dB

Summary

"Die Frau ohne Schatten, Op. 65, TrV 234, Act II: Act II: Schlange, was hab' ich mit dir zu schaffen (Frau, Jungling, Amme, Barak)" by Richard Strauss, Sabine Hogrefe, Michael Porter, Frankfurter Opern- und Museumsorchester, Tanja Ariane Baumgartner, Terje Stensvold, Sebastian Weigle had its release date on October 2, 2015. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 43 in the song's album "R. Strauss: Die Frau ohne Schatten, Op. 65, TrV 234". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. In terms of popularity, Die Frau ohne Schatten, Op. 65, TrV 234, Act II: Act II: Schlange, was hab' ich mit dir zu schaffen (Frau, Jungling, Amme, Barak) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Die Frau ohne Schatten, Op. 65, TrV 234, Act II: Act II: Schlange, was hab' ich mit dir zu schaffen (Frau, Jungling, Amme, Barak) BPM

With Die Frau ohne Schatten, Op. 65, TrV 234, Act II: Act II: Schlange, was hab' ich mit dir zu schaffen (Frau, Jungling, Amme, Barak) by Richard Strauss, Sabine Hogrefe, Michael Porter, Frankfurter Opern- und Museumsorchester, Tanja Ariane Baumgartner, Terje Stensvold, Sebastian Weigle having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Die Frau ohne Schatten, Op. 65, TrV 234, Act II: Act II: Schlange, was hab' ich mit dir zu schaffen (Frau, Jungling, Amme, Barak) Key

This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme by Benjamin Britten, London Symphony Orchestra, Steuart BedfordThe Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: ThemeBenjamin Britten, London Symphony Orchestra, Steuart BedfordB♭ Major16B83 BPM
Wesendonck Lieder, WWV 91: Schmerzen by Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin DavisWesendonck Lieder, WWV 91: SchmerzenRichard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin DavisC Minor15A132 BPM
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca by Modest Mussorgsky, Ivo PogorelichPictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attaccaModest Mussorgsky, Ivo PogorelichD♭ Minor012A68 BPM
Symphony No. 4: IV. Sehr behaglich by Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin, Christiane KargSymphony No. 4: IV. Sehr behaglichGustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin, Christiane KargE Minor19A80 BPM
Sorochinskaya yarmarka (Sorochintsi Fair): Gopak (Hopak) (arr. N. Rimsky-Korsakov for orchestra) by Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore KucharSorochinskaya yarmarka (Sorochintsi Fair): Gopak (Hopak) (arr. N. Rimsky-Korsakov for orchestra)Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore KucharE♭ Major25B66 BPM
Overture Prince Igor by Alexander Borodin, London Symphony Orchestra, Sir Georg SoltiOverture Prince IgorAlexander Borodin, London Symphony Orchestra, Sir Georg SoltiB♭ Major26B76 BPM
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisSymphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbatHector Berlioz, London Symphony Orchestra, Sir Colin DavisC Minor15A60 BPM
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo by Francis Poulenc, James Conlon, Rotterdam Philharmonic OrchestraPoulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppoFrancis Poulenc, James Conlon, Rotterdam Philharmonic OrchestraE♭ Major15B103 BPM
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro by Dmitri Shostakovich, I Musici de Montréal, Maxim ShostakovichPiano Concerto No. 2 in F Major, Op. 102: III. AllegroDmitri Shostakovich, I Musici de Montréal, Maxim ShostakovichF Major37B164 BPM
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo by Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel BarenboimViolin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppoCamille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel BarenboimA Minor28A113 BPM
ISRC
DEU921596421
Label
L-M Records/RCA Records