"Love Theme From "Spartacus"" by Cincinnati Pops Orchestra, Erich Kunzel was released on June 1, 1993. The duration of Love Theme From "Spartacus" is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Love Theme From "Spartacus"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Erich Kunzel, Cincinnati Pops Orchestra's "Hollywood's Greatest Hits, Vol. 2" album is number 8 out of 17. On top of that, United States appears to be the country where this track was created. In terms of popularity, Love Theme From "Spartacus" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Love Theme From "Spartacus" by Cincinnati Pops Orchestra, Erich Kunzel to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brooklets & Heights | Danke Timi Briggs | E♭ Major | 3 | 5B | 74 BPM | ||
The Battle of Britain Suite: V. Early Encounter | Ron Goodwin, Rumon Gamba, BBC Philharmonic | A♭ Minor | 2 | 1A | 113 BPM | ||
Visitors On Main | Byron McKay | G Major | 1 | 9B | 142 BPM | ||
Amour... amour... (Version for Orchestra) | Franco Alfano, Orchestra Sinfonica Di Milano, Giuseppe Grazioli | G Major | 1 | 9B | 99 BPM | ||
Die 1. Fassung | Lorenz Dangel | C Major | 0 | 8B | 75 BPM | ||
Metropolis: II. Zwischenspiel: Freder im Wahn | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | F♯ Minor | 1 | 11A | 85 BPM | ||
Otello: Ave Maria (From "O") | Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel | C Major | 3 | 8B | 112 BPM | ||
Theme (From "Galaxy Quest") | David "Fathead" Newman, Cincinnati Pops Orchestra, John Morris Russell | C Major | 3 | 8B | 73 BPM | ||
Eleven Partite diverse sopra "Sei gegrüßet, Jesu gütig": Variation I | Johann Sebastian Bach, Ralph Downes | F Major | 2 | 7B | 66 BPM | ||
Romeo and Juliet, No. 1, Op. 64bis: V. Masks | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | D Major | 3 | 10B | 82 BPM |
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