Orfeo ed Euridice / Act 3: Coro: "Trionfi Amore!"
Christoph Willibald Gluck, Marilyn Horne, Helen Donath, Pilar Lorengar, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti
Gluck: Orfeo ed Euridice
2:40 January 1, 1970
BPM
112
Key
D Major
Camelot
10B

Embed

Share Link

Orfeo ed Euridice / Act 3: Coro: "Trionfi Amore!" - Christoph Willibald Gluck, Marilyn Horne, Helen Donath, Pilar Lorengar, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti Information

Acousticness
98%
Danceability
49%
Energy
26%
Instrumentalness
0%
Liveness
10%
Loudness
73%
Speechiness
5%
Valence
46%
Popularity
Loudness
-16.114 dB

Summary

Christoph Willibald Gluck, Marilyn Horne, Helen Donath, Pilar Lorengar, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti made "Orfeo ed Euridice / Act 3: Coro: "Trionfi Amore!"" available on January 1, 1970. The duration of Orfeo ed Euridice / Act 3: Coro: "Trionfi Amore!" is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Orfeo ed Euridice / Act 3: Coro: "Trionfi Amore!"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, Marilyn Horne, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti's "Gluck: Orfeo ed Euridice" album is number 14 out of 25. In terms of popularity, Orfeo ed Euridice / Act 3: Coro: "Trionfi Amore!" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Orfeo ed Euridice / Act 3: Coro: "Trionfi Amore!" BPM

We consider the tempo marking of Orfeo ed Euridice / Act 3: Coro: "Trionfi Amore!" by Christoph Willibald Gluck, Marilyn Horne, Helen Donath, Pilar Lorengar, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Orfeo ed Euridice / Act 3: Coro: "Trionfi Amore!" Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Suite in D Minor, HWV 447: Allemande by George Frideric Handel, David GreilsammerSuite in D Minor, HWV 447: AllemandeGeorge Frideric Handel, David GreilsammerD Minor17A74 BPM
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) by Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano)Gabriel Fauré, Jesper Svedberg, Simon Crawford-PhillipsA Major011B79 BPM
Sonata in A Minor, L 241 by Domenico Scarlatti, Vladimir HorowitzSonata in A Minor, L 241Domenico Scarlatti, Vladimir HorowitzE Minor09A79 BPM
Violin Sonata in B-Flat Major, Op. 5 No. 2: III. Vivace by Arcangelo Corelli, Lina Tur Bonet, Musica AlchemicaViolin Sonata in B-Flat Major, Op. 5 No. 2: III. VivaceArcangelo Corelli, Lina Tur Bonet, Musica AlchemicaA♭ Major34B83 BPM
Capriccio brillant, Op. 22: Andante by Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony OrchestraCapriccio brillant, Op. 22: AndanteFelix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony OrchestraB Major01B91 BPM
Siciliano (After Siciliano (After "Erbarme dich" from Matthäus-Passion, BWV 244, No. 39)Johann Sebastian Bach, Martin StadtfeldG Minor16A79 BPM
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) by Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra)Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred HoneckG Major09B103 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1062: I. - AllegroCologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachC Minor45A106 BPM
Kinderszenen, Op. 15: 7. Träumerei by Robert Schumann, Alfred BrendelKinderszenen, Op. 15: 7. TräumereiRobert Schumann, Alfred BrendelF Major07B135 BPM
Suite in E Minor, RCT 2: Pièces de clavecin: Suite in E Minor: V. Le rappel des oiseaux (arr. I. Friedman for piano) by Ignaz Friedman, Jean-Philippe Rameau, Joseph BanowetzSuite in E Minor, RCT 2: Pièces de clavecin: Suite in E Minor: V. Le rappel des oiseaux (arr. I. Friedman for piano)Ignaz Friedman, Jean-Philippe Rameau, Joseph BanowetzE Minor29A172 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8191747665405273

End: 0.8231265544891357