"Pièces froides No. 1 "Airs à faire fuir": No. 1, D'une manière très particulière" by Erik Satie, Giacomo Scinardo was released on April 20, 2018. The duration of Pièces froides No. 1 "Airs à faire fuir": No. 1, D'une manière très particulière is about 3 minutes long, at 3:12. Based on our data, "Pièces froides No. 1 "Airs à faire fuir": No. 1, D'une manière très particulière" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 27 in the song's album "Satie: Gymnopédies, Gnossiennes & Other Works". In this album, this song's track order is #16. Pièces froides No. 1 "Airs à faire fuir": No. 1, D'une manière très particulière is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pièces froides No. 1 "Airs à faire fuir": No. 1, D'une manière très particulière by Erik Satie, Giacomo Scinardo having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
María Gavota | Francisco Tárrega, Andrés Madariaga | A Minor | 2 | 8A | 91 BPM | ||
3 Gnossiennes: Gnossienne No. 1 (arr. N. Gotz for clarinet and piano): Gnossiene No. 1 (arr. for clarinet and piano) | Nandor Gotz, Erik Satie, Balazs Szokolay | F Minor | 0 | 4A | 109 BPM | ||
Jack in the Box: Jack-in-the-Box | Erik Satie, Klara Kormendi | C Major | 1 | 8B | 70 BPM | ||
Morceaux de Fantasie, Op.3: No.5 Serenade | Sergei Rachmaninoff, Vladimir Ashkenazy | B♭ Minor | 1 | 3A | 111 BPM | ||
Estudio Brillante de Alard | Francisco Tárrega, Andrés Madariaga | D Major | 3 | 10B | 89 BPM | ||
12 Pieces, Op. 40: II. Chanson triste | Pyotr Ilyich Tchaikovsky, Axel Gillison | C Minor | 1 | 5A | 118 BPM | ||
Perceptions No. II | Aprelstein | A♭ Major | 1 | 4B | 132 BPM | ||
24 Preludes, Op. 11: No. 12 in G-Sharp Minor | Alexander Scriabin, Evgeny Zarafiants | E Minor | 2 | 9A | 151 BPM | ||
Satie: 3 Gymnopédies: No. 2, Lent et triste | Erik Satie, Anne Queffélec | D Minor | 0 | 7A | 73 BPM | ||
NO ROADMAP TO ADULTHOOD / Chilly Gonzales: Prelude in C Sharp Major | Chilly Gonzales, Alice Sara Ott | E♭ Minor | 0 | 2A | 70 BPM |
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