Eduard Strauss, Zubin Mehta, Wiener Philharmoniker made "Mit Chic, Polka schnell, Op. 221" available on January 9, 2015. The duration of Mit Chic, Polka schnell, Op. 221 is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Mit Chic, Polka schnell, Op. 221's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "New Year's Concert 2015". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. The popularity of Mit Chic, Polka schnell, Op. 221 is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Mit Chic, Polka schnell, Op. 221 by Eduard Strauss, Zubin Mehta, Wiener Philharmoniker having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): V. Danse finale | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
Aquarellen-Walzer, Op. 258 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Karl Albert Geyer | C Major | 2 | 8B | 86 BPM | ||
Polovtsian Dances from Prince Igor: VI. Moderato alla breve | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
Isabella: Overture | Franz von Suppé, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 99 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.8 in G Minor (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 129 BPM | ||
Dichter und Bauer: Overture | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | C Major | 0 | 8B | 76 BPM | ||
Gaîté parisienne: Allegro brillante | Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn | G Major | 4 | 9B | 113 BPM | ||
Kleiner Anzeiger, Galopp, Op. 4 | Joseph Hellmesberger, Jr., Daniel Barenboim, Wiener Philharmoniker | E♭ Major | 6 | 5B | 86 BPM | ||
Die Puppenfee (The Fairy Doll): No. 16 Ballabile | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 1 | 10B | 91 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM |
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