The Ruin of Athens Overture, Op. 113 - Ludwig van Beethoven, Kurt Redel, London Festival Orchestra Information

Acousticness: 98%
Danceability: 28%
Energy: 5%
Instrumentalness: 82%
Liveness: 11%
Loudness: 65%
Speechiness: 4%
Valence: 6%
Popularity: 5%
Loudness: -21.093 dB

Summary

"The Ruin of Athens Overture, Op. 113" by Ludwig van Beethoven, Kurt Redel, London Festival Orchestra was released on January 1, 2009. The Ruin of Athens Overture, Op. 113 is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. The song is number 5 out of 44 in Beethoven: Complete Symphonies and Coriolan, Egmont, Fidelio, King Stephen, Ruins of Athens Overtures by Ludwig van Beethoven, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Ruin of Athens Overture, Op. 113 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Ruin of Athens Overture, Op. 113 BPM

The tempo marking of The Ruin of Athens Overture, Op. 113 by Ludwig van Beethoven, Kurt Redel, London Festival Orchestra is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

The Ruin of Athens Overture, Op. 113 Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace	Bedřich Smetana, Jitka Čechová	G Major	2	9B	144 BPM
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio	Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra	F Major	1	7B	62 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851	Daniel Barenboim	D Minor	1	7A	129 BPM
Fidelio, Op. 72: Overture	Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay	E Major	1	12B	62 BPM
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship	Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino	E Major	1	12B	136 BPM
Prelude In A Minor Op. 32 No. 8	Vladimir Horowitz	F Major	1	7B	59 BPM
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato)	Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts	A Minor	4	8A	91 BPM
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4)	Antonín Dvořák, Yo-Yo Ma, Kathryn Stott	B Minor	0	10A	92 BPM
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo)	Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding	B♭ Major	2	6B	147 BPM
Kinderszenen, Op.15: 12. Kind im Einschlummern	Robert Schumann, Martha Argerich	E Minor	0	9A	123 BPM

ISRC: USSJ10802787
Label: L-M Records/RCA Records

Section: 0.8318748474121094

End: 0.8364589214324951