12 Etudes d'exécution transcendante, S.139: No.10 Allegro agitato molto
Franz Liszt, Claudio Arrau
Liszt: 12 Etudes d'exécution transcendante
4:44 January 1, 1977
BPM
91
Key
B♭ Minor
Camelot
3A

Embed

Share Link

12 Etudes d'exécution transcendante, S.139: No.10 Allegro agitato molto - Franz Liszt, Claudio Arrau Information

Acousticness
99%
Danceability
26%
Energy
21%
Instrumentalness
84%
Liveness
9%
Loudness
69%
Speechiness
3%
Valence
5%
Popularity
Loudness
-18.73 dB

Summary

"12 Etudes d'exécution transcendante, S.139: No.10 Allegro agitato molto" by Franz Liszt, Claudio Arrau was released on January 1, 1977. With this song being about 5 minutes long, at 4:44, "12 Etudes d'exécution transcendante, S.139: No.10 Allegro agitato molto" by Franz Liszt, Claudio Arrau is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Liszt, Claudio Arrau's "Liszt: 12 Etudes d'exécution transcendante" album is number 10 out of 12. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, 12 Etudes d'exécution transcendante, S.139: No.10 Allegro agitato molto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

12 Etudes d'exécution transcendante, S.139: No.10 Allegro agitato molto BPM

We consider the tempo marking of 12 Etudes d'exécution transcendante, S.139: No.10 Allegro agitato molto by Franz Liszt, Claudio Arrau to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.

12 Etudes d'exécution transcendante, S.139: No.10 Allegro agitato molto Key

B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto by Gustav Mahler, Alexandre TharaudMahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. AdagiettoGustav Mahler, Alexandre TharaudF Major07B71 BPM
Serenade in C Major, Op. 48: II. Walzer by Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe EntremontSerenade in C Major, Op. 48: II. WalzerPyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe EntremontG Major29B180 BPM
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet by Edvard Grieg, Emil GilelsLyric Pieces Book VII, Op. 62: No. 4 BrookletEdvard Grieg, Emil GilelsB Minor110A0 BPM
6 Pezzi, P. 44: No. 1. Valse Caressante by Ottorino Respighi, Konstantin Scherbakov6 Pezzi, P. 44: No. 1. Valse CaressanteOttorino Respighi, Konstantin ScherbakovE♭ Major15B70 BPM
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 by Felix Mendelssohn, Péter NagyLieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1Felix Mendelssohn, Péter NagyE♭ Major05B68 BPM
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso by Franz Liszt, Célia Oneto Bensaid, Debora Waldman, Orchestre National Avignon-ProvencePiano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestosoFranz Liszt, Célia Oneto Bensaid, Debora Waldman, Orchestre National Avignon-ProvenceF Minor14A116 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits by Christoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraOrpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed SpiritsChristoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraD Minor17A67 BPM
2 Arabesques, L. 66: No. 1 in E Major by Claude Debussy, Michael Korstick2 Arabesques, L. 66: No. 1 in E MajorClaude Debussy, Michael KorstickE Major012B109 BPM
Liebesbotschaft, S. 560/10 from Schwanengesang by Franz Liszt, Arcadi VolodosLiebesbotschaft, S. 560/10 from SchwanengesangFranz Liszt, Arcadi VolodosG Major09B62 BPM
Nocturnes n°4 en ut mineur by Francis Poulenc, Alexandre TharaudNocturnes n°4 en ut mineurFrancis Poulenc, Alexandre TharaudC Major08B73 BPM
ISRC
NLA507400807
Label
L-M Records/RCA Records

Section: 0.7594797611236572

End: 0.7635378837585449