Virgil Thomson, PostClassical Ensemble, Angel Gil-Ordóñez's 'The River: Finale' came out on October 30, 2007. The duration of The River: Finale is about 3 minutes long, at 3:23. Based on our data, "The River: Finale" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 21 in the song's album "Thomson, V.: Plow That Broke the Plains (The) / the River". In this album, this song's track order is #21. In terms of popularity, The River: Finale is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The River: Finale by Virgil Thomson, PostClassical Ensemble, Angel Gil-Ordóñez having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laudi alla Vergine Maria | Giuseppe Verdi, Salzburg Bach Choir, Alois Glassner | C Major | 2 | 8B | 73 BPM | ||
At the Spring | Virgil Thomson, Aaron Engebreth, Alison D'Amato | B♭ Major | 2 | 6B | 98 BPM | ||
Cherubic Hymn, Op. 7, No. 1 | Pavel Chesnokov, Conspirare, Craig Hella Johnson | B Minor | 1 | 10A | 145 BPM | ||
The Lamentations of Jeremiah, Op. 14: Recordare | Choir of St. Ignatius Loyola | A♭ Minor | 2 | 1A | 82 BPM | ||
Missa Popularis: III. Credo | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | F Major | 1 | 7B | 73 BPM | ||
Holy Spirit Mass: Fount of Life: Glory | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | B♭ Major | 4 | 6B | 80 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": VIII. Andante con moto. "Nun danket alle Gott" | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart | G Major | 2 | 9B | 81 BPM | ||
Four Saints in Three Acts: Act II: Drinking Song | Virgil Thomson, Sarah Pelletier, Gigi Mitchell-Velasco, Aaron Engebreth, Lynn Torgove, Tom McNichols, Deborah Selig, Charles Blandy, Stanley Wilson, Gil Rose, Boston Modern Orchestra Project | A♭ Major | 2 | 4B | 89 BPM | ||
David's Lamentation | Joshua Shank, University Of South Dakota Chamber Singers, David Holdhusen | E Major | 0 | 12B | 129 BPM | ||
Susie Asado | Virgil Thomson, Aaron Engebreth, Alison D'Amato | E♭ Major | 2 | 5B | 128 BPM |
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