Louis-Nicolas Clérambault, Olivier Vernet's 'Premier livre d'orgue, Suite du second ton: VI. Récit de Nazard (Gayement et gracieusement)' came out on May 1, 1999. The duration of Premier livre d'orgue, Suite du second ton: VI. Récit de Nazard (Gayement et gracieusement) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Premier livre d'orgue, Suite du second ton: VI. Récit de Nazard (Gayement et gracieusement)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 27 out of 28 in Clérambault : Premier Livre de clavecin - Premier Livre d'orgue by Louis-Nicolas Clérambault, Olivier Vernet, Catherine Latzarus. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Premier livre d'orgue, Suite du second ton: VI. Récit de Nazard (Gayement et gracieusement)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Premier livre d'orgue, Suite du second ton: VI. Récit de Nazard (Gayement et gracieusement) by Louis-Nicolas Clérambault, Olivier Vernet is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armide, LWV 71, Prologue: Entrée (I) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
La magnifique in E Minor: V. Gigue | Louis-Nicolas Clérambault, The Bach Players | A Minor | 0 | 8A | 69 BPM | ||
Concert No. 8 in G Major "Les goûts réunis": VII. Sarabande. Grave et tendre | François Couperin, Barthold Kuijken, Arnie Tanimoto, Donald Livingston | F Major | 0 | 7B | 129 BPM | ||
Concerto di Flauti, S.D945: III. Presto | Alessandro Marcello, Dorothee Oberlinger | G Major | 1 | 9B | 143 BPM | ||
Plein jeu | Louis-Nicolas Clérambault, Ralf Borghoff | G Minor | 2 | 6A | 57 BPM | ||
Les Éléments: IV. Ramage : L’Air | Jean-Féry Rebel, Jordi Savall, Le Concert Des Nations | D♭ Major | 0 | 3B | 80 BPM | ||
Golovinmusiken, BeRI 1: No. 8, Presto | Johan Helmich Roman, Höör Barock, Dan Laurin | A♭ Major | 2 | 4B | 143 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Sarabande pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Major | 0 | 4B | 84 BPM | ||
L’Allegro, il Penseroso ed il Moderato, HWV 55: Mirth, Admit Me of Thy Crew | George Frideric Handel, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | D♭ Minor | 1 | 12A | 148 BPM |
Section: 0.585984468460083
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