Arnold Schoenberg, Fred Sherry, Philharmonia Orchestra, Robert Craft's 'Cello Concerto (after G. M. Monn): III. Tempo di Minuetto' came out on November 21, 2006. With this song being about 5 minutes long, at 5:18, "Cello Concerto (after G. M. Monn): III. Tempo di Minuetto" by Arnold Schoenberg, Fred Sherry, Philharmonia Orchestra, Robert Craft is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Schoenberg, A.: 5 Orchestral Pieces / Brahms, J.: Piano Quartet No. 1 (Orch. Schoenberg)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Cello Concerto (after G. M. Monn): III. Tempo di Minuetto's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cello Concerto (after G. M. Monn): III. Tempo di Minuetto by Arnold Schoenberg, Fred Sherry, Philharmonia Orchestra, Robert Craft having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Leocadia, FP 106: Very Calm | Francis Poulenc, Ronald Van Spaendonck, Alexandre Tharaud, Danielle Darrieux, Laurent Lefèvre, Stéphane Logerot, Thibault Vieux | D Major | 1 | 10B | 174 BPM | ||
Gurrelieder / Pt. 3: XXI. Speaker: Herr Gänsefuss, Frau Gänsekraut | Arnold Schoenberg, Barbara Sukowa, Wiener Philharmoniker, Claudio Abbado | E Major | 3 | 12B | 89 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Emmanuelle Bertrand, Pascal Amoyel | B♭ Major | 0 | 6B | 89 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Moses Und Aron - Original Version / Act 1: Alles für die Freiheit! (Mann, Chor, Priester, Moses, Aron, Solostimmen) | Arnold Schoenberg, David Pittman-Jennings, Chris Merritt, László Polgár, Concertgebouworkest, Pierre Boulez | A Major | 1 | 11B | 63 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM |
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