"A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.10 b) Funeral March" by Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa had its release date on January 1, 1994. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Kathleen Battle, Frederica von Stade, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver's "Mendelssohn: A Midsummer Night's Dream" album is number 12 out of 15. In terms of popularity, A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.10 b) Funeral March is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.10 b) Funeral March by Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade: III. Erixymachos. Presto | Leonard Bernstein, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra | C Major | 3 | 8B | 136 BPM | ||
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Symphony No.2 in E flat, Op.63: 3. Rondo. Presto | Edward Elgar, Staatskapelle Berlin, Daniel Barenboim | G Major | 2 | 9B | 138 BPM | ||
String Quartet No. 1 in A Major: III. Scherzo: Prestissimo | Alexander Borodin, Budapest Haydn Quartet | C Major | 2 | 8B | 109 BPM | ||
Les Contes d'Hoffmann / Act 1: Prélude | Jacques Offenbach, Orchestre National De France, Seiji Ozawa | A Major | 1 | 11B | 132 BPM | ||
Shostakovich: Suite from the Age of Gold, Op. 22: II. Polka | Dmitri Shostakovich, Orchestre Philharmonique de Radio France, Paavo Järvi | D Minor | 1 | 7A | 91 BPM | ||
Vieuxtemps: Violin Concerto No. 5 in A Minor, Op. 37: II. Adagio | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | A Major | 2 | 11B | 93 BPM | ||
Sinfonia No. 8 in D Major, MWV N8 (version for strings): III. Menuetto | Felix Mendelssohn, Northern Chamber Orchestra, Nicholas Ward | B Minor | 2 | 10A | 120 BPM | ||
"Pomp and Circumstance," Op.39: March, No.2 In A Minor | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 2 | 10A | 132 BPM | ||
Piano Trio No. 1 in D minor, Op. 49: Andante con moto tranquillo | Felix Mendelssohn, Leonidas Kavakos | C Major | 1 | 8B | 79 BPM |