"Souvenir de Moscou, Op. 6" by Henryk Wieniawski, Marat Bisengaliev, John Lenehan was released on June 3, 1994. Since Souvenir de Moscou, Op. 6 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wieniawski: Violin Showpieces by Henryk Wieniawski. The song's track number on the album is #1 out of 13 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Souvenir de Moscou, Op. 6 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Souvenir de Moscou, Op. 6 by Henryk Wieniawski, Marat Bisengaliev, John Lenehan has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Souvenir de Moscou, Op. 6 being at 110 BPM, the half-time would be 55 BPM with a double-time of 220 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | D♭ Major | 0 | 3B | 174 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: IV. Allegretto poco mosso | César Franck, Pierre Amoyal, Mikhail Rudy | D Minor | 2 | 7A | 148 BPM | ||
6 Sonatas for Violin Solo, Op. 27: Sonata No. 6 in E Major | Eugène Ysaÿe, Hilary Hahn | A Major | 2 | 11B | 103 BPM | ||
12 Études d'exécution transcendante, S. 139: No. 4 Mazeppa (Presto) | Franz Liszt, Daniil Trifonov | A Major | 3 | 11B | 106 BPM | ||
Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | A♭ Major | 1 | 4B | 122 BPM | ||
Prince Igor (Knyaz Igor): Overture | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | G Minor | 2 | 6A | 71 BPM | ||
L'ecole moderne, Op. 10 (arr. for violin and piano): No. 1. Le Sautille | Anonymous, Henryk Wieniawski, Piotr Plawner | E Minor | 1 | 9A | 97 BPM | ||
Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | ||
Études-Caprices, Op. 10: Praeludium. Allegretto scherzando | Henryk Wieniawski, Justyna Jara, Wojciech Koprowski | C Major | 10 | 8B | 103 BPM |
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