"Te Deum H146 (1989 Digital Remaster): Fiat misericordia" by Marc-Antoine Charpentier, Felicity Lott, Eiddwen Harrhy, Charles Brett, Ian Partridge, Stephen Roberts, Choir of King's College, Cambridge, Philip Ledger, Academy of St. Martin in the Fields was released on 1989. With Te Deum H146 (1989 Digital Remaster): Fiat misericordia being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 18 in Charpentier - Sacred Choral Works by Marc-Antoine Charpentier, Dame Felicity Lott/Choir of King's College, Cambridge/Academy of St Martin-in-the-Fields/English Chamber Orchestra/Sir Philip Ledger/Sir David Willcocks/Eiddwen Harrhy/April Cantelo/Helen Gelmar/Charles Brett/James Bowman/Ian Partridge/Step, Philip Ledger, Sir David Willcocks, Academy of St. Martin in the Fields, English Chamber Orchestra. In terms of popularity, Te Deum H146 (1989 Digital Remaster): Fiat misericordia is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Te Deum H146 (1989 Digital Remaster): Fiat misericordia by Marc-Antoine Charpentier, Felicity Lott, Eiddwen Harrhy, Charles Brett, Ian Partridge, Stephen Roberts, Choir of King's College, Cambridge, Philip Ledger, Academy of St. Martin in the Fields is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Befiehl dem Engel, dass er komm' in A Minor, BuxWV 10 | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | A Minor | 1 | 8A | 83 BPM | ||
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
Salve Regina à trois voix pareilles, H. 23 | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Jordi Savall, Montserrat Figueras, Maria Cristina Kiehr, Gérard Lesne, John Elwes, Josep Cabre, Le Concert Des Nations | E♭ Minor | 2 | 2A | 167 BPM | ||
Pergolesi: Confitebor: VI. Gloria Patri | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | D♭ Minor | 2 | 12A | 114 BPM | ||
Venus & Adonis: Overture | John Blow, Orchestra of the Age of Enlightenment, René Jacobs | D♭ Minor | 3 | 12A | 116 BPM | ||
David et Jonathas, H. 490, Acte I Scène 1: Du plus grand des héros, publions les exploits (troupes de guerriers, de pasteurs et de captifs) | Marc-Antoine Charpentier, Les Pages du Centre de musique baroque de Versailles, Les Chantres du Centre de Musique baroque de Versailles, Les Temps Présents, Olivier Schneebeli, Dominique Serve | A♭ Major | 2 | 4B | 118 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
David et Jonathas, H. 490, Acte II Scène 1: Goûtons, goûtons les charmes (David, Jonathas, troupes) | Marc-Antoine Charpentier, Clément Debieuvre, Natacha Boucher, Les Pages du Centre de musique baroque de Versailles, Les Chantres du Centre de Musique baroque de Versailles, Les Temps Présents, Olivier Schneebeli, Dominique Serve | A♭ Major | 2 | 4B | 118 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM |
Section: 0.713231086730957
End: 0.7179834842681885