Emmerich Kálmán, Reinhold Bartel, Chor, Grosses Operetten Orchester, Franz Marszalek's 'Die Zirkusprinzessin - operetta in 3 Acts: Wo ist der Himmel so blau wie in Wien' came out on January 1, 1993. With Die Zirkusprinzessin - operetta in 3 Acts: Wo ist der Himmel so blau wie in Wien being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Emmerich Kálmán, Reinhold Bartel, Rita Bartos, Benno Kusche, Herta Talmar, Willi Hofmann, Renate Holm, Peter Alexander, Chor, Grosses Operetten Orchester, Franz Marszalek's "Gräfin Mariza - Die Csárdásfürstin - Die Zirkusprinzessin" album is number 27 out of 32. Die Zirkusprinzessin - operetta in 3 Acts: Wo ist der Himmel so blau wie in Wien is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Zirkusprinzessin - operetta in 3 Acts: Wo ist der Himmel so blau wie in Wien by Emmerich Kálmán, Reinhold Bartel, Chor, Grosses Operetten Orchester, Franz Marszalek to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der fliegende Holländer / Act 3: 7. Szene und Chor. "Steuermann, laß die Wacht!" | Richard Wagner, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Woldemar Nelsson | G Major | 3 | 9B | 86 BPM | ||
A Midsummer Night's Dream, Op. 61: Finale | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Mattinata (Orch. Luck) | Ruggero Leoncavallo, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | B Major | 3 | 1B | 84 BPM | ||
Banditenstreiche: Overture | Franz von Suppé, Zubin Mehta, Wiener Philharmoniker | G Major | 3 | 9B | 117 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: No. 15, Arabian Dance | Edvard Grieg, Sir Thomas Beecham, Beecham Choral Society, Ilse Hollweg, Royal Philharmonic Orchestra | B♭ Major | 1 | 6B | 102 BPM | ||
Dorfschwalben aus Osterreich, Op. 164 | Josef Strauss, Wiener Symphoniker, Manfred Honeck | E♭ Major | 1 | 5B | 94 BPM | ||
Die Landstreicher: Overture | Carl Michael Ziehrer, WDR Sinfonieorchester Köln, Helmuth Froschauer | E♭ Major | 3 | 5B | 124 BPM | ||
Frühlingsbotschaft, Op. 114 (Version for Orchestra) | Julius Fučík, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 4 | 10B | 79 BPM | ||
Gräfin Mariza, Act I: "Komm Zigány" (Tassilo) | Emmerich Kálmán, Hamburger Rundfunkorchester, Wilhelm Stephan, Karl Terkal | E Major | 3 | 12B | 89 BPM |
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