Peter and the Wolf, Op. 67: IV. Grandpapa - Dame Edna Everage, Melbourne Symphony Orchestra Information

Acousticness: 92%
Danceability: 53%
Energy: 3%
Instrumentalness: 0%
Liveness: 18%
Loudness: 53%
Speechiness: 8%
Valence: 20%
Popularity: 2%
Loudness: -28.162 dB

Summary

Dame Edna Everage, Melbourne Symphony Orchestra's 'Peter and the Wolf, Op. 67: IV. Grandpapa' came out on September 12, 1997. The duration of Peter and the Wolf, Op. 67: IV. Grandpapa is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Peter and the Wolf, Op. 67: IV. Grandpapa's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Prokofiev: Peter and the Wolf / Britten: Young Person's Guide To the Orchestra (Children's Classics)". In this album, this song's track order is #4. In terms of popularity, Peter and the Wolf, Op. 67: IV. Grandpapa is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Peter and the Wolf, Op. 67: IV. Grandpapa BPM

With Peter and the Wolf, Op. 67: IV. Grandpapa by Dame Edna Everage, Melbourne Symphony Orchestra having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Peter and the Wolf, Op. 67: IV. Grandpapa Key

D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
HMS Pinafore: When I Was a Lad	Gordon Sandison, New D'Oyly Carte Opera	C Major	2	8B	133 BPM
La Tragédie de Salomé, Op. 50: V. Quatrième tableau	Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu	E Major	0	12B	77 BPM
H.M.S. Pinafore / Act 2: A joy! Oh rapture unforseen	Arthur Sullivan, The D'Oyly Carte Opera Company, Joyce Wright, Thomas Round, Donald Adams, Jeffrey Skitch, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey	F Major	3	7B	200 BPM
Lord Peter's Stable-Boy	Percy Grainger, Slovak Radio Symphony Orchestra	D Major	1	10B	78 BPM
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version)	Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen	E♭ Major	1	5B	76 BPM
Khovanshchina: Morgendammerung an der Moskwa	Modest Mussorgsky, Moscow State Radio and Television Symphony Orchestra, Klaus-Peter Hahn	D Major	3	10B	116 BPM
Suite From Aladdin: One Jump Ahead	Cincinnati Pops Orchestra, Erich Kunzel	B♭ Minor	2	3A	118 BPM
Symphony No. 2: Introduction	Christian Lindberg, Göteborg Wind Orchestra	G Minor	0	6A	73 BPM
HMS Pinafore: We Sail the Ocean Blue	Alfie Boe, New D'Oyly Carte Opera, Simon Wilding, Stephen Davis	C Major	3	8B	104 BPM
The Prague Carnival. Introduction and Polonaise	Bedřich Smetana, Prague Symphony Orchestra, Tomáš Brauner	A Major	3	11B	69 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.5164752006530762

End: 0.5206854343414307