Modest Mussorgsky, Blandine Waldmann made "Pictures at an Exhibition: Promenade I" available on November 2, 2018. With Pictures at an Exhibition: Promenade I being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Blandine Waldmann's "Momentum" album is number 1 out of 36. On top of that, Poland appears to be the country where this track was created. In terms of popularity, Pictures at an Exhibition: Promenade I is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Pictures at an Exhibition: Promenade I by Modest Mussorgsky, Blandine Waldmann to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
静かなこころ | Chair House | E♭ Major | 0 | 5B | 72 BPM | ||
Boris Godunov | Modest Mussorgsky, Choir of the Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yevgeny Nesterenko, Yelena Obratsova, Yuri Mazurok, Alexandr Ognivcev, Orchestra of The Bolshoi Theater | E♭ Minor | 2 | 2A | 81 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Suite for Harpsichord No. 5: Air with Variations ('Harmonious Blacksmith') - Da_6020 | George Frideric Handel, Peter Phillips, Teresa Carreño | E Major | 1 | 12B | 69 BPM | ||
Deep Ocean Reverie | Aaron Sander | B Major | 0 | 1B | 177 BPM | ||
Come Thou Fount with Day by Day | Only God Choir | E♭ Major | 3 | 5B | 93 BPM | ||
Une larme, Op. 70 No. 18 (Arr. for Harp by Alexandra Luiceanu) | Modest Mussorgsky, Alexandra Luiceanu | G Major | 0 | 9B | 70 BPM | ||
Suite for Cello and Piano: I. Prelude - Conversation | Isobel Dunlop, Alexandra Mackenzie, Ingrid Sawers | A Minor | 1 | 8A | 140 BPM | ||
Fire Pianostykker, Op. 9: II. Melodie | Signe Lund, Rune Alver | F♯ Major | 2 | 2B | 80 BPM |
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