"Piano Concerto No. 2 in C Minor, Op. 50: I. Toccata. Allegro risoluto" by Nikolai Medtner, Yevgeny Sudbin, North Carolina Symphony Orchestra, Grant Llewellyn was released on November 17, 2009. Piano Concerto No. 2 in C Minor, Op. 50: I. Toccata. Allegro risoluto appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Rachmaninov, S.: Piano Concerto No. 4 (original 1926 version) / Medtner, N.: Piano Concerto No. 2". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Piano Concerto No. 2 in C Minor, Op. 50: I. Toccata. Allegro risoluto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 2 in C Minor, Op. 50: I. Toccata. Allegro risoluto by Nikolai Medtner, Yevgeny Sudbin, North Carolina Symphony Orchestra, Grant Llewellyn having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orchestral Suite No. 2 in B Minor, BWV 1067: Badinerie - Arr. in Burlesque Style, World Premiere Recording | Johann Sebastian Bach, Cyprien Katsaris | C Major | 1 | 8B | 74 BPM | ||
Rosamunde, D. 797: Ballet Music (Arr. Godowsky) | Franz Schubert, Piers Lane | D Major | 0 | 10B | 77 BPM | ||
A la maniere de Chabrier | Maurice Ravel, François-Joël Thiollier | C Major | 0 | 8B | 111 BPM | ||
Vergessene Weisen. Op. 40: No. 4, Danza Jubilosa - Duo-Art 68729 | Nikolai Medtner, Peter Phillips | G Major | 1 | 9B | 112 BPM | ||
Klavierstück in E Major | Anton Webern, Jean-Jacques Dünki | E Major | 1 | 12B | 63 BPM | ||
7 Piano pieces, Op. 11: No. 4. Epitaph: Rubato | Zoltán Kodály, Andrew Rangell | E Minor | 0 | 9A | 68 BPM | ||
Etude en 12 exercices, S. 136: No. 2 in A Minor | Franz Liszt, Lívia Rév | A Minor | 3 | 8A | 93 BPM | ||
Piano Sonata No. 1: IV. Ruvido ed ostinato | Máire Carroll | D♭ Major | 4 | 3B | 165 BPM | ||
La Belle et la Bête - Arr. for Piano duet: VIII. Le pavillon | Philip Glass, Katia Labèque, Marielle Labèque | E♭ Major | 2 | 5B | 133 BPM | ||
Pavana y Gallarda | Carlos Cruz de Castro, Diego Fernández Magdaleno | A Minor | 0 | 8A | 209 BPM |
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