Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン's 'Pictures at an Exhibition (Orch. M. Ravel): Promenade I' came out on April 1, 2016. With Pictures at an Exhibition (Orch. M. Ravel): Promenade I being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Ravel: Orchestral Works, Vol. 3 – Orchestrations". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Pictures at an Exhibition (Orch. M. Ravel): Promenade I is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pictures at an Exhibition (Orch. M. Ravel): Promenade I by Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: Suite No. 2 from Peer Gynt, Op. 55: II. Arabian Dance | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | F Major | 2 | 7B | 129 BPM | ||
Overture Ruy Blas, Op. 95 | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | F Minor | 2 | 4A | 84 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 9, Ballet of the Unhatched Chicks | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | F♯ Major | 0 | 2B | 179 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 1 | 6B | 60 BPM | ||
Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM | ||
Symphony No. 2 in B Minor: IV. Finale | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | D Major | 1 | 10B | 129 BPM | ||
Pines Of Rome, P. 141: The Pines Of The Janiculum | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | C Major | 1 | 8B | 78 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
Saint-Saëns: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 | Camille Saint-Saëns, Maxim Vengerov, Zubin Mehta, Israel Philharmonic Orchestra | A Minor | 1 | 8A | 147 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM |
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