Johann Sebastian Bach, Canadian Brass's 'Prelude and Fugue in C minor (WTK, Book I, No.2), BWV 847 - Be-bop Bach' came out on January 1, 1991. The duration of Prelude and Fugue in C minor (WTK, Book I, No.2), BWV 847 - Be-bop Bach is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Prelude and Fugue in C minor (WTK, Book I, No.2), BWV 847 - Be-bop Bach's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "The Essential Canadian Brass". In this album, this song's track order is #17. In terms of popularity, Prelude and Fugue in C minor (WTK, Book I, No.2), BWV 847 - Be-bop Bach is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prelude and Fugue in C minor (WTK, Book I, No.2), BWV 847 - Be-bop Bach by Johann Sebastian Bach, Canadian Brass having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Candide Suite (arr. C. Grundman for wind band): III. Auto-da-fe | Leonard Bernstein, Clare Grundman, University of South Carolina Wind Ensemble, Scott Weiss | C Major | 4 | 8B | 108 BPM | ||
Fanfare pour preceder La Peri | Paul Dukas, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | A♭ Major | 1 | 4B | 75 BPM | ||
Christ lag in Todesbanden, BWV 4: III. Verse 2. Den Tod niemand zwingen kunnt | Johann Sebastian Bach, Thomanerchor Leipzig, Gewandhausorchester, New Bach Collegium Musicum Leipzig, Hans-Joachim Rotzsch, Ludwig Güttler, Gerhard Essbach, Karl Semsch, Rolf Bachmann, Walter Heinz Bernstein, Burkhard Schmidt, Achim Beyer, Gerd Schulze | B♭ Major | 2 | 6B | 73 BPM | ||
Trumpet Concerto In E Flat, Hob.Vlle:1: 1. Allegro | Franz Joseph Haydn, Adolph Herseth, Chicago Symphony Orchestra, Claudio Abbado | E♭ Major | 2 | 5B | 138 BPM | ||
Six Studies in English Folksong | Gene Pokorny | E♭ Major | 0 | 5B | 70 BPM | ||
Bach, JS: Trio Sonata in G Major, BWV 1038: I. Largo | Johann Sebastian Bach, Emmanuel Pahud, Christine Schornsheim, Georg Faust, Rainer Kussmaul | G Major | 1 | 9B | 92 BPM | ||
Rustiques | Eugène Bozza, Eric Aubier, Pascal Godart | F Major | 1 | 7B | 170 BPM | ||
Trombone Concerto in B-Flat Major: II. Andante cantabile | Nikolai Rimsky-Korsakov, Christian Lindberg, Tokyo Kosei Wind Orchestra, Chikara Imamura | D♭ Major | 0 | 3B | 72 BPM | ||
Partita No. 1 in B-Flat Major, BWV 825: VI. Gigue | Johann Sebastian Bach, Martin Helmchen | E♭ Minor | 3 | 2A | 176 BPM | ||
Trombone Concerto, Op. 114: II. Adagio | Derek Bourgeois, Christian Lindberg, Tokyo Kosei Wind Orchestra, Chikara Imamura | C Minor | 0 | 5A | 88 BPM |
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