"I due Foscari - Act I - Tu al cui sguardo onnipossente" by Giuseppe Verdi, Montserrat Caballé, Maja Sunara, Anton Guadagno was released on May 24, 2013. I due Foscari - Act I - Tu al cui sguardo onnipossente is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. The track order of this song in Montserrat Caballé's "Montserrat Caballé - The Diva" album is number 8 out of 100. The popularity of I due Foscari - Act I - Tu al cui sguardo onnipossente is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I due Foscari - Act I - Tu al cui sguardo onnipossente by Giuseppe Verdi, Montserrat Caballé, Maja Sunara, Anton Guadagno to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gianni Schicchi: "O mio babbino caro" | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | A♭ Major | 1 | 4B | 171 BPM | ||
Carmen, Opera Suite No. 1: I. Prelude, Act 1 | London Festival Orchestra Alfred Scholz | G Minor | 1 | 6A | 47 BPM | ||
Verdi: Aida, Act 1: "Celeste Aida" (Radamès) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | B♭ Major | 2 | 6B | 79 BPM | ||
La fille du régiment / Act 1: "Ah! mes amis, quel jour de fête!" | Gaetano Donizetti, Juan Diego Flórez, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | F Major | 1 | 7B | 134 BPM | ||
La forza del destino, Act II, Scene II: Madre, pietosa Vergine | Giuseppe Verdi, Dinara Alieva, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | D♭ Major | 3 | 3B | 76 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F♯ Minor | 1 | 11A | 107 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
La traviata / Act 2: "Lunge da lei...De miei bollenti spiriti...O mio rimorso" | Jonas Kaufmann, Giuseppe Verdi, Jana Sibera, Prague Philharmonic Orchestra, Marco Armiliato | C Major | 3 | 8B | 76 BPM | ||
Requiem: XI. Domine Jesu Christe | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, Karen Cargill, Stuart Neill, John Relyea, Christine Brewer | A♭ Major | 0 | 4B | 125 BPM |
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