John Adams, Edo de Waart, Orchestra of St. Luke's's 'Adams: Nixon in China: Act III - The Maos Dance' came out on November 1, 1996. The duration of Adams: Nixon in China: Act III - The Maos Dance is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Adams: Nixon in China: Act III - The Maos Dance's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Nixon In China". In this album, this song's track order is #32. In terms of popularity, Adams: Nixon in China: Act III - The Maos Dance is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adams: Nixon in China: Act III - The Maos Dance by John Adams, Edo de Waart, Orchestra of St. Luke's having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Niño: I Sing of a Maiden | John Adams, Kent Nagano, Deutsches Symphonie-Orchester Berlin | E♭ Major | 2 | 5B | 96 BPM | ||
Desplat: The Shape of Water: I. The Shape of Water | Alexandre Desplat, Emmanuel Pahud, Myriam Lafargue, Orchestre National De France | D Minor | 1 | 7A | 93 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | A Minor | 0 | 8A | 81 BPM | ||
Les Sirènes | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | F♯ Major | 0 | 2B | 132 BPM | ||
Das Rheingold: Vorspiel | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 0 | 10B | 78 BPM | ||
Trois études de concert in D-Flat Major, S. 144/ 3: Un sospiro | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 76 BPM | ||
Appalachian Spring: I. Very Slowly | Aaron Copland, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 78 BPM | ||
Symphony No.9 In D / 1. Satz: Andante comodo | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 172 BPM | ||
The Planets Suite, Op. 32: II. Venus | Gustav Holst, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir, Neville Creed | A♭ Major | 0 | 4B | 133 BPM |
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