- BPM
- 73
- Key
- G Major
- Camelot
- 9B
Die lustige Witwe (The Merry Widow) (2000 - Remaster): Rezitativ: Sehen Sie, da würde ich jetzt zu meinem Manne sagen...Tanzduett (Walzer) (Hanna/Danilo) - Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra Information
- Acousticness
- 97%
- Danceability
- 22%
- Energy
- 1%
- Instrumentalness
- 40%
- Liveness
- 36%
- Loudness
- 45%
- Speechiness
- 4%
- Valence
- 23%
- Popularity
- 3%
- Loudness
- -33.064 dB
Summary
Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra's 'Die lustige Witwe (The Merry Widow) (2000 - Remaster): Rezitativ: Sehen Sie, da würde ich jetzt zu meinem Manne sagen...Tanzduett (Walzer) (Hanna/Danilo)' came out on July 1, 2000. The duration of Die lustige Witwe (The Merry Widow) (2000 - Remaster): Rezitativ: Sehen Sie, da würde ich jetzt zu meinem Manne sagen...Tanzduett (Walzer) (Hanna/Danilo) is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Die lustige Witwe (The Merry Widow) (2000 - Remaster): Rezitativ: Sehen Sie, da würde ich jetzt zu meinem Manne sagen...Tanzduett (Walzer) (Hanna/Danilo)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Lehár, Elisabeth Schwarzkopf's "Lehár: Die Lustige Witwe" album is number 8 out of 40. Die lustige Witwe (The Merry Widow) (2000 - Remaster): Rezitativ: Sehen Sie, da würde ich jetzt zu meinem Manne sagen...Tanzduett (Walzer) (Hanna/Danilo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die lustige Witwe (The Merry Widow) (2000 - Remaster): Rezitativ: Sehen Sie, da würde ich jetzt zu meinem Manne sagen...Tanzduett (Walzer) (Hanna/Danilo) BPM
We consider the tempo marking of Die lustige Witwe (The Merry Widow) (2000 - Remaster): Rezitativ: Sehen Sie, da würde ich jetzt zu meinem Manne sagen...Tanzduett (Walzer) (Hanna/Danilo) by Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Die lustige Witwe (The Merry Widow) (2000 - Remaster): Rezitativ: Sehen Sie, da würde ich jetzt zu meinem Manne sagen...Tanzduett (Walzer) (Hanna/Danilo) Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Ein Sommernachtstraum (A Midsummer's Night Dream): VII. Hochzeitsmarsch / Marche nuptiale | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | C Major | 2 | 8B | 82 BPM | |
 | Schubert: Die Forelle, Op. 32, D. 550 | Franz Schubert, Barbara Bonney, Geoffrey Parsons | D♭ Major | 1 | 3B | 74 BPM | |
 | Dance of the Hours | Amilcare Ponchielli, National Philharmonic Orchestra, Bruno Bartoletti | E Major | 0 | 12B | 76 BPM | |
 | Carmen, Act 2: Votre toast (Toreador's Song) | Georges Bizet, Kostas Paskalis/Eliane Lublin/Viorica Cortez/Grace Bumbry/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/Rafael Frühbeck de Burgos, Rafael Frühbeck de Burgos, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Minor | 0 | 6A | 124 BPM | |
 | Gräfin Mariza, Act I: "Komm Zigány" (Tassilo) | Emmerich Kálmán, Hamburger Rundfunkorchester, Wilhelm Stephan, Karl Terkal | E Major | 3 | 12B | 89 BPM | |
 | Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | |
 | "Depuis le jour" | Gustave Charpentier, Anna Netrebko | G Major | 1 | 9B | 87 BPM | |
 | The Bohemian Girl - Arr. By Karel Mark Chichon: I Dreamt I Dwelt In Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM | |
 | Léhar: Die lustige Witwe: "Lippen schweigen" - "Ja, das Schweigen der Weiber ist schwer" | Franz Lehár, Melitta Muszely, Werner Schmidt-Boelcke, Rudolf Schock, FFB-Orchester | G Major | 2 | 9B | 175 BPM | |
 | La Belle Hélène - Opéra-bouffe en 3 actes. Livret d'Henri Meilhac & Ludovic Halévy - Acte II - Entracte | Jacques Offenbach, Michel Plasson, Orchestre Du Capitole De Toulouse | D♭ Minor | 0 | 12A | 98 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6457550525665283
End: 0.6498584747314453