Chants D'Auvergne: Vol. IV, No. 3: Pour L'Enfant - Joseph Canteloube, Frederica von Stade, Antonio de Almeida, Royal Philharmonic Orchestra Information

Acousticness: 99%
Danceability: 19%
Energy: 3%
Instrumentalness: 4%
Liveness: 9%
Loudness: 57%
Speechiness: 5%
Valence: 5%
Popularity: 0%
Loudness: -25.653 dB

Summary

"Chants D'Auvergne: Vol. IV, No. 3: Pour L'Enfant" by Joseph Canteloube, Frederica von Stade, Antonio de Almeida, Royal Philharmonic Orchestra was released on 1982. The duration of Chants D'Auvergne: Vol. IV, No. 3: Pour L'Enfant is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Chants D'Auvergne: Vol. IV, No. 3: Pour L'Enfant's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 14 in Frederica von Stade Sings Chants d'Auvergne by Joseph Canteloube, Frederica von Stade. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Chants D'Auvergne: Vol. IV, No. 3: Pour L'Enfant is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Chants D'Auvergne: Vol. IV, No. 3: Pour L'Enfant BPM

The tempo marking of Chants D'Auvergne: Vol. IV, No. 3: Pour L'Enfant by Joseph Canteloube, Frederica von Stade, Antonio de Almeida, Royal Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Chants D'Auvergne: Vol. IV, No. 3: Pour L'Enfant Key

This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Madama Butterfly / Act 2: Coro a bocca chiusa (Humming Chorus)	Giacomo Puccini, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan	B♭ Major	0	6B	78 BPM
Akhnaten: Hymn to the Sun	Philip Glass, Anthony Roth Costanzo, Jonathan Cohen, Les Violons du Roy	E Minor	2	9A	68 BPM
Canteloube : 3 Bourrées : Interlude 2	Joseph Canteloube, Dawn Upshaw, Kent Nagano, Alexia Benoit, Orchestre de l'Opéra de Lyon	B♭ Major	3	6B	175 BPM
The Battlers: Love Me Sweet	Marshall McGuire, Carl Vine, Elizabeth Barrett Browning	G Minor	1	6A	171 BPM
Five Rückert-Lieder (1999 Digital Remaster): V: Ich bin der Welt abhanden gekommen	Gustav Mahler, Dame Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli	F Major	0	7B	86 BPM
Theodora: Aria - As With Rosy Steps The Morn	Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket	B Major	0	1B	68 BPM
Poème de Paul Verlaine: L'heure exquise	Reynaldo Hahn, Marie-Nicole Lemieux	B Major	0	1B	94 BPM
Canteloube: Chants d'Auvergne, Series 1: No. 4, Bourrée II "Ound'onoren gorda?"	Joseph Canteloube, Victoria de los Ángeles, Jean-Pierre Jacquillat, Orchestre de l'Association des Concerts Lamoureux	D Major	0	10B	73 BPM
Bizet: Les Pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga)	Georges Bizet, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique	E♭ Major	2	5B	88 BPM
Sadko: Song of the Indian Guest	Nikolai Rimsky-Korsakov, Vadim Lynkovsky, Maksim Paster, Anton Grigoriev, Bolshoi Theatre Chorus, Bolshoi Theatre Orchestra, Alexander Vedernikov	C Major	0	8B	107 BPM

ISRC: USSM10006253
Label: L-M Records/RCA Records

Section: 0.6407299041748047

End: 0.64461350440979