Jean-Philippe Rameau, Thomas Dolie, Emőke Baráth, Chantal Santon Jeffery, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi's 'Les Indes galantes: Forêts paisibles' came out on October 6, 2017. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 33 in the song's album "Un opéra pour trois rois". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Spain. In terms of popularity, Les Indes galantes: Forêts paisibles is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Indes galantes: Forêts paisibles by Jean-Philippe Rameau, Thomas Dolie, Emőke Baráth, Chantal Santon Jeffery, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Indes galantes, RCT 44, Act I: Arrêtez. Par ces feux le ciel vient de m'apprendre | Jean-Philippe Rameau, Thomas Dolie, Véronique Gens, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Major | 2 | 2B | 124 BPM | ||
Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance | William Christie | B♭ Minor | 2 | 3A | 114 BPM | ||
Requiem in D Minor, K. 626 (Paris 1804 Version): IV. Tuba mirum | Wolfgang Amadeus Mozart, Sandrine Piau, Chantal Santon Jeffery, Éléonore Pancrazi, Mathias Vidal, Thomas Dolie, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | C Major | 2 | 8B | 112 BPM | ||
3 Marches militaires, Op. 51, D. 733: No. 1 in D Major (arr. for orchestra) | Franz Schubert, Peter Breiner, Razumovsky Symphony Orchestra | D Major | 1 | 10B | 115 BPM | ||
Symphonie de Noël: Allegretto | Michel Richard Delalande, Ensemble Orchestral Harmonia Nova & Didier Bouture, Didier Bouture, Ensemble Orchestral Harmonia Nova | G Major | 1 | 9B | 62 BPM | ||
The New English Hymnal: No. 11, Veni, veni Emmanuel | Traditional, St Edmundsbury Cathedral Choir, Michael Bawtree, James Thomas | D Major | 0 | 10B | 93 BPM | ||
Missa Quadragesimalis, MH 552: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 40 BPM | ||
Ave Maria | Johann Sebastian Bach, Charles Gounod, Kian Soltani, Aaron Pilsan | C Major | 1 | 8B | 82 BPM | ||
Les Indes galantes: Air des Sauvages | Jean-Philippe Rameau, La Chapelle Royale, Philippe Herreweghe | F♯ Minor | 2 | 11A | 85 BPM | ||
Mondonville : Dominus regnavit : IV. Elevaverunt flumina | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | G Minor | 2 | 6A | 89 BPM |
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