F. Camprodón, Francisco Asenjo Barbieri, Gran Orquesta Sinfonica made "Los Diamantes de la Corona: "Preludio Acto II"" available on December 3, 2013. With Los Diamantes de la Corona: "Preludio Acto II" being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zarzuela: Los Diamantes de la Corona by Francisco Asenjo Barbieri, F. Camprodón, Gran Orquesta Sinfonica. The song's track number on the album is #1 out of 14 tracks. Based on our data, Spain was the country where this track was produced or recorded. Los Diamantes de la Corona: "Preludio Acto II" is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Los Diamantes de la Corona: "Preludio Acto II" by F. Camprodón, Francisco Asenjo Barbieri, Gran Orquesta Sinfonica has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Los Diamantes de la Corona: "Preludio Acto II" being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss II, J: La chauve-souris, Act 1: Duetto. "Viens souper avec nous" (Gaillardin, Duparquet) | Johann Strauss II, Franck Pourcel, Jean Christophe Benoit, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
Donde hay violencia no hay culpa, Act I: A la gran deidad de Marte | Jose Nebra, Los Elementos, Alberto Miguélez Rouco | D♭ Major | 1 | 3B | 75 BPM | ||
Messa di Gloria: XI. Et incarnatus | Giacomo Puccini, Charles Castronovo, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | G Major | 1 | 9B | 78 BPM | ||
La Canción del Olvido: "Canción de Rosina" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Pilar Lorengar | G Major | 2 | 9B | 106 BPM | ||
El Guitarrico | Orquesta de Conciertos de Madrid, Tomás Palomino, Victorino Echevarría | A Major | 2 | 11B | 94 BPM | ||
Otello: Oh Dio! Qual mal strepito è questo! | Gioachino Rossini, Hera Hyesang Park, Emily D'Angelo, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Mefistofele, Act I, Scene 2: Dai campi, dai prati | Arrigo Boito, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Violin Concerto No. 1 in D Major, Op. 6, MS 21: III. Rondo. Allegro spiritoso - Live | Niccolò Paganini, Manrico Padovani, Oltenia Philharmonic Orchestra, Boris Perrenoud | E Major | 3 | 12B | 105 BPM | ||
Agua, azucarillos y aguardiente - Preludio | Pablo Sorozábal | E♭ Major | 4 | 5B | 143 BPM | ||
El Año Pasado por Agua: "Pasacalle: Aquí Viene la Flor de Maravillas" | Ana Maria Iriarte, Gerardo Monreal, Carlos S. Luque | E Major | 6 | 12B | 120 BPM |
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