Johann Christian Schickhardt, Musica ad Rhenum, Jed Wentz's 'Concerto in G Major: II. Adagio' came out on March 26, 2021. With this song being about 5 minutes long, at 4:54, "Concerto in G Major: II. Adagio" by Johann Christian Schickhardt, Musica ad Rhenum, Jed Wentz is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 89 out of 93 in Baroque Concerti from The Netherlands by Musica ad Rhenum, Jed Wentz. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Concerto in G Major: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto in G Major: II. Adagio by Johann Christian Schickhardt, Musica ad Rhenum, Jed Wentz is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata a 4 in D Major, WoO 4: II. Allegro | Arcangelo Corelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | D♭ Major | 2 | 3B | 114 BPM | ||
Viola d'amore Concerto in D Major, RV 392: III. Allegro | Antonio Vivaldi, Catherine Mackintosh, Orchestra of the Age of Enlightenment | D♭ Major | 3 | 3B | 133 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: V. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Prélude in G minor | Jacques Hotteterre, Dorothee Oberlinger | B Minor | 1 | 10A | 139 BPM | ||
Concerto grosso in F, Op. 3, No. 4bis: 2. Allegro | George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable | G Minor | 2 | 6A | 83 BPM | ||
6 Concerts transcrits en sextuor / 2e Concert: 2. La Boucon | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | F Minor | 3 | 4A | 100 BPM | ||
Henry V, A Shakespeare Scenario: Appendix II. Obal, diniou Limouzi | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Christopher Plummer, Celia Nicklin, Ian Watson, Choristers of Westminster Cathedral, Academy of St. Martin in the Fields Chorus | B Major | 0 | 1B | 175 BPM | ||
Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: I. Largo | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D Minor | 0 | 7A | 82 BPM | ||
Israel in Egypt, HWV 54: Symphony | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM |
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