Zhou Long, Shanghai Quartet made "8 Chinese Folk Songs: No. 2. Driving the Mule Team" available on January 1, 1998. With 8 Chinese Folk Songs: No. 2. Driving the Mule Team being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zhou, L.: 8 Chinese Folk Songs / Poems From Tang / Soul (The Flowing Stream - Chinese Folk Songs and Tone Poems) by Zhou Long, Shanghai Quartet. The song's track number on the album is #2 out of 13 tracks. The popularity of 8 Chinese Folk Songs: No. 2. Driving the Mule Team is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since 8 Chinese Folk Songs: No. 2. Driving the Mule Team by Zhou Long, Shanghai Quartet has a tempo of 170 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With 8 Chinese Folk Songs: No. 2. Driving the Mule Team being at 170 BPM, the half-time would be 85 BPM with a double-time of 340 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
The music key of this track is A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique" (Arr. Janoska Ensemble): II. Adagio cantabile | Janoska Ensemble | B♭ Major | 2 | 6B | 107 BPM | ||
String Quartet No. 1, Op. 8: II. Fugue with 4 Subjects | Alan Hovhaness, Shanghai Quartet | F Major | 3 | 7B | 143 BPM | ||
Lim Fantasy of Companionship Suite for Piano, Flute and Strings Octet, Act I: Transition to Origins | Manu Martin, Mark Bebbington, Royal Philharmonic Orchestra | G Major | 3 | 9B | 136 BPM | ||
Cecilia: Molto vivo e con fuoco | Licinio Refice, Federico Romano, Orchestra del Teatro Carlo Felice, Jochen Rieder | C Minor | 2 | 5A | 74 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Quintet For Guitar and String Quartet, Op. 143: 4. Finale. Allegro con fuoco | Mario Castelnuovo-Tedesco, Eliot Fisk, Shanghai Quartet, Richard Kapp, Czech Philharmonic Chamber Orchestra | A Minor | 2 | 8A | 109 BPM | ||
Minimalist Musings | Daniel Borgens | C Major | 0 | 8B | 120 BPM | ||
String Quartet No. 3 in B-Flat Major, Op. 67: I. Vivace | Johannes Brahms, Shanghai Quartet | B♭ Major | 0 | 6B | 133 BPM | ||
Theme and Variations, Op. 80: Variation 1: L'istesso tempo | Amy Beach, Eugenia Zukerman, Anthony Newman, Shanghai Quartet | G Major | 1 | 9B | 124 BPM | ||
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Lento assai) | Robert Schumann, Dresdner Philharmonie, Marek Janowski | A Minor | 0 | 8A | 81 BPM |
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