"Auber: Fra Diavolo, Act II: Air. "Oui c'est demain qu'enfin l'on nous marie" - Dialogue. "Ah, mon Dieu, c'est déjà vous !" (Zerline, Beppo, Giacomo, Fra Diavolo, Carabiniers, Lorenzo, Milord)" by Daniel Auber, Marc Soustrot, Ensemble vocal Jean Laforge, Mady Mesple, Michel Hamel, Michel Trempont, Nicolai Gedda, Remy Corazza, Thierry Dran, Monte-Carlo Philharmonic Orchestra was released on January 1, 1984. Auber: Fra Diavolo, Act II: Air. "Oui c'est demain qu'enfin l'on nous marie" - Dialogue. "Ah, mon Dieu, c'est déjà vous !" (Zerline, Beppo, Giacomo, Fra Diavolo, Carabiniers, Lorenzo, Milord) appears to be safe for all ages as it is not explicit. The song is number 11 out of 17 in Auber: Fra Diavolo by Daniel Auber, Nicolai Gedda, Mady Mesple, Monte-Carlo Philharmonic Orchestra, Marc Soustrot. In terms of popularity, Auber: Fra Diavolo, Act II: Air. "Oui c'est demain qu'enfin l'on nous marie" - Dialogue. "Ah, mon Dieu, c'est déjà vous !" (Zerline, Beppo, Giacomo, Fra Diavolo, Carabiniers, Lorenzo, Milord) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Auber: Fra Diavolo, Act II: Air. "Oui c'est demain qu'enfin l'on nous marie" - Dialogue. "Ah, mon Dieu, c'est déjà vous !" (Zerline, Beppo, Giacomo, Fra Diavolo, Carabiniers, Lorenzo, Milord) by Daniel Auber, Marc Soustrot, Ensemble vocal Jean Laforge, Mady Mesple, Michel Hamel, Michel Trempont, Nicolai Gedda, Remy Corazza, Thierry Dran, Monte-Carlo Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in E, Op. 59: III. Scherzo – Vivace | Moritz Moszkowski, Joseph Moog, Nicholas Milton, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern | E Major | 2 | 12B | 81 BPM | ||
Der Fischer und das Milchmädchen: I. Allegretto galante | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Symphony No. 3 in D Minor, WAB 103 (1873 Version): III. Scherzo. Ziemlich schnell – Trio. Gleiches Zeitmaß – Scherzo da capo | Anton Bruckner, Berliner Philharmoniker, Herbert Blomstedt | F Major | 2 | 7B | 136 BPM | ||
Mercure: III. Danse de tendresse | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Double Bass Concerto in D Major: II. Adagio | Johann Baptist Vanhal, Zsolt Fejervari, Budapest Ferenc Erkel Chamber Orchestra | A Major | 0 | 11B | 122 BPM | ||
Polovtsian Dances from Prince Igor: VI. Moderato alla breve | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
Wachet auf, ruft uns die Stimme, Cantata BWV 140: 4. Zion Hears The Watchmen Singing BWV 140 (arr. orchestra) | Johann Sebastian Bach, Royal Philharmonic Orchestra, James Morgan | E♭ Major | 0 | 5B | 111 BPM | ||
Fra Diavolo, S. 18: Overture | Daniel Auber, Orchestre Régional de Cannes, Wolfgang Dörner | D Major | 1 | 10B | 125 BPM | ||
Divertimento No. 1, Op. 20: IV. Verbunkos | Leó Weiner, Budapest Strings, Karoly Botvay | C Major | 0 | 8B | 107 BPM | ||
Die Puppenfee (The Fairy Doll): No. 14 Andante | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | F♯ Minor | 1 | 11A | 80 BPM |
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