"Piano Concerto No. 2 in E-Flat Major, Op. 32, J. 155: II. Adagio" by Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn was released on October 2, 1995. Piano Concerto No. 2 in E-Flat Major, Op. 32, J. 155: II. Adagio is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. This song is part of Weber: Piano Concertos Nos. 1 and 2 / Polacca Brillante by Carl Maria von Weber. The song's track number on the album is #5 out of 8 tracks. Piano Concerto No. 2 in E-Flat Major, Op. 32, J. 155: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Piano Concerto No. 2 in E-Flat Major, Op. 32, J. 155: II. Adagio by Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Piano Concerto No. 2 in E-Flat Major, Op. 32, J. 155: II. Adagio being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 21 in B Flat Major | Alexander Scriabin, Mikhail Pletnev | E♭ Major | 0 | 5B | 70 BPM | ||
Weber: Der Freischütz, Op. 77, J. 277, Act 2 Scene 3: No. 9, Terzett, "Wie? Was? Entsetzen!" (Agathe, Ännchen, Max) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | F Major | 1 | 7B | 78 BPM | ||
Ballabile | Blagoje Bersa, Goran Filipec | A Minor | 2 | 8A | 0 BPM | ||
Weber: Der Freischütz, Op. 77, J. 277, Act 2 Scene 2: No. 8, Szene und Arie, "Wie nahte mir der Schlummer - Leise, leise, fromme Weise!" (Agathe) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | E Minor | 0 | 9A | 89 BPM |
Section: 0.6669178009033203
End: 0.6722226142883301