Adrian Cruft, Royal Ballet Sinfonia, Gavin Sutherland made "Traditional Hornpipe Suite: Oak Hill" available on January 1, 2007. With Traditional Hornpipe Suite: Oak Hill being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 46 in the song's album "The British Light Music Collection 1". In this album, this song's track order is #8. Traditional Hornpipe Suite: Oak Hill is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Traditional Hornpipe Suite: Oak Hill by Adrian Cruft, Royal Ballet Sinfonia, Gavin Sutherland having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 8, Andante | Felix Mendelssohn, André Previn, London Symphony Orchestra | E Major | 0 | 12B | 67 BPM | ||
String Quartet in G minor | Antonios Fotopoulos, Antonis Fotopoulos | A♭ Major | 0 | 4B | 58 BPM | ||
The Seasons, Op. 67, Pt. 4 "L'automne": No. 14c, L’hiver | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Petrushka, K12 (1947 Version): IVe. Dance of the Coachmen and the Grooms | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Beecham & Handel: The Gods Go a'Begging: I. Introduction (After Admeto, HWV 22) | George Frideric Handel, Sir Thomas Beecham, Royal Philharmonic Orchestra | C Minor | 0 | 5A | 78 BPM | ||
Symphony No. 5 in E Minor, Op. 64: IV. Finale. Andante maestoso - Allegro vivace | Pyotr Ilyich Tchaikovsky, Markus Poschner, Orchestra della Svizzera Italiana | B Minor | 0 | 10A | 72 BPM | ||
Para clarinete | Juan Pablo Fernández Ramos | A Major | 0 | 11B | 67 BPM | ||
Piano Concerto No. 3 in C Major, Op. 144: II. Largo | Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A♭ Major | 0 | 4B | 58 BPM | ||
La Bohème, SC 6, Act IV: Sono andati? | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | A♭ Major | 0 | 4B | 82 BPM | ||
Petite suite, L. 65: III. Menuet | Claude Debussy, Louis Lane, Cleveland Orchestra | D♭ Major | 2 | 3B | 119 BPM |
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