Kolme johdantovuorolaulua, JS 110: No. 2, Pyhäinpäivänä tai hautajaisjumalanpalveluksissa
Jean Sibelius, Jorma Hynninen, Dominante, Harri Viitanen, Seppo Murto
Saarella Palaa (Fire on the Island)
2:33 September 4, 2012
BPM
82
Key
G Major
Camelot
9B

Embed

Share Link

Kolme johdantovuorolaulua, JS 110: No. 2, Pyhäinpäivänä tai hautajaisjumalanpalveluksissa - Jean Sibelius, Jorma Hynninen, Dominante, Harri Viitanen, Seppo Murto Information

Acousticness
93%
Danceability
30%
Energy
20%
Instrumentalness
0%
Liveness
11%
Loudness
70%
Speechiness
4%
Valence
24%
Popularity
Loudness
-18.285 dB

Summary

Jean Sibelius, Jorma Hynninen, Dominante, Harri Viitanen, Seppo Murto's 'Kolme johdantovuorolaulua, JS 110: No. 2, Pyhäinpäivänä tai hautajaisjumalanpalveluksissa' came out on September 4, 2012. The duration of Kolme johdantovuorolaulua, JS 110: No. 2, Pyhäinpäivänä tai hautajaisjumalanpalveluksissa is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Kolme johdantovuorolaulua, JS 110: No. 2, Pyhäinpäivänä tai hautajaisjumalanpalveluksissa's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Saarella Palaa (Fire on the Island)". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Sweden. Kolme johdantovuorolaulua, JS 110: No. 2, Pyhäinpäivänä tai hautajaisjumalanpalveluksissa is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Kolme johdantovuorolaulua, JS 110: No. 2, Pyhäinpäivänä tai hautajaisjumalanpalveluksissa BPM

With Kolme johdantovuorolaulua, JS 110: No. 2, Pyhäinpäivänä tai hautajaisjumalanpalveluksissa by Jean Sibelius, Jorma Hynninen, Dominante, Harri Viitanen, Seppo Murto having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.

Kolme johdantovuorolaulua, JS 110: No. 2, Pyhäinpäivänä tai hautajaisjumalanpalveluksissa Key

This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume by Robert Schumann, Kian Soltani, Aaron PilsanMyrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine BlumeRobert Schumann, Kian Soltani, Aaron PilsanF Major07B116 BPM
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) by Frank Bridge, Gerald Peregrine, Antony Ingham4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano)Frank Bridge, Gerald Peregrine, Antony InghamG Major09B87 BPM
Souvenir d'un lieu cher, Op. 42: 3. Mélodie by Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel HardingSouvenir d'un lieu cher, Op. 42: 3. MélodiePyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel HardingE♭ Major05B99 BPM
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) by Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano)Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-MasonA Major111B89 BPM
Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring by Frederick Delius, Vernon Handley, London Philharmonic OrchestraDelius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in SpringFrederick Delius, Vernon Handley, London Philharmonic OrchestraA Minor28A130 BPM
6 Bagatelles for Piano, Op. 97: Impromptu, No. 5 by Jean Sibelius, Leif Ove Andsnes6 Bagatelles for Piano, Op. 97: Impromptu, No. 5Jean Sibelius, Leif Ove AndsnesB♭ Major06B108 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 by Daniel BarenboimBach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851Daniel BarenboimD Minor17A129 BPM
Prelude In A Minor Op. 32 No. 8 by Vladimir HorowitzPrelude In A Minor Op. 32 No. 8Vladimir HorowitzF Major17B59 BPM
3 Pieces for cello and piano: No. 1. Modere by Nadia Boulanger, Nicolas Altstaedt, José Gallardo3 Pieces for cello and piano: No. 1. ModereNadia Boulanger, Nicolas Altstaedt, José GallardoE♭ Minor02A87 BPM
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: V. Siciliana by Ottorino Respighi, Konstantin ScherbakovAntiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: V. SicilianaOttorino Respighi, Konstantin ScherbakovB Minor010A126 BPM
ISRC
SEAET1136060
Label
L-M Records/RCA Records

Section: 0.741856575012207

End: 0.7458834648132324