"In fondo ai miei occhi (From "Ménage all'italiana") - Vocal" by Ennio Morricone was released on 1965. The duration of In fondo ai miei occhi (From "Ménage all'italiana") - Vocal is about 3 minutes long, at 3:25. Based on our data, "In fondo ai miei occhi (From "Ménage all'italiana") - Vocal" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ennio Morricone's "Ménage all'italiana (Original Motion Picture Soundtrack) [Remastered]" album is number 1 out of 18. On top of that, Italy appears to be the country where this track was created. In fondo ai miei occhi (From "Ménage all'italiana") - Vocal is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In fondo ai miei occhi (From "Ménage all'italiana") - Vocal by Ennio Morricone to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thème de Nadia | Vladimir Cosma, Maurice Dalle | A Minor | 2 | 8A | 95 BPM | ||
La Chanson D'Hélène - Instrumental Version | Philippe Sarde | A Minor | 3 | 8A | 99 BPM | ||
Main Titles - Letters from Iwo Jima | Kyle Eastwood and Michael Stevens | D Minor | 1 | 7A | 101 BPM | ||
La Rochelle | Philippe Sarde | A Minor | 3 | 8A | 158 BPM | ||
The English Patient: Convento di Sant'Anna (Arr. N. Resier and M. Keller) | Ulrich Herkenhoff, Kurpfälzisches Kammerorchester, Frank Zacher | G Major | 1 | 9B | 85 BPM | ||
Nella fantasia (feat. Andrea Griminelli) - from "The Mission" | Il Volo, Ennio Morricone, Andrea Griminelli | B♭ Major | 4 | 6B | 77 BPM | ||
Theme of Exodus (from "Exodus", 1960 Film Score) | Ernest Gold, Twentieth Century-Fox Studio Orchestra | B Minor | 2 | 10A | 116 BPM | ||
Plaisir d'amour - Instrumental | Michael Kamen, London Metropolitan Orchestra | A♭ Major | 0 | 4B | 86 BPM | ||
The Beginning of the Partnership | Stephen Warbeck, Nick Ingman, Gavyn Wright | B♭ Major | 2 | 6B | 138 BPM | ||
Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | A♭ Major | 1 | 4B | 75 BPM |
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