Hilde Gueden, Erika Köth, Eberhard Wächter, Regina Resnik, Erich Kunz, Waldemar Kmentt, Vienna Philharmonic, Herbert von Karajan, Walter Berry, Peter Klein's 'Die Fledermaus, Act I' came out on September 13, 2011. With this song being about 5 minutes long, at 5:05, "Die Fledermaus, Act I" by Hilde Gueden, Erika Köth, Eberhard Wächter, Regina Resnik, Erich Kunz, Waldemar Kmentt, Vienna Philharmonic, Herbert von Karajan, Walter Berry, Peter Klein is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 34 in Die Fledermaus by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Die Fledermaus, Act I is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Die Fledermaus, Act I by Hilde Gueden, Erika Köth, Eberhard Wächter, Regina Resnik, Erich Kunz, Waldemar Kmentt, Vienna Philharmonic, Herbert von Karajan, Walter Berry, Peter Klein is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 2: "Silenzo!..."Le feste nuziale" | Gaetano Donizetti, Luisa Mandelli, Hilde Gueden, Giuseppe Di Stefano, Renato Capecchi, Fernando Corena, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-Pradelli | F Minor | 2 | 4A | 102 BPM | ||
Joshua, HWV 64, Pt. 3: No. 65, Oh, had I Jubal's lyre | George Frideric Handel, Pretty Yende, Coronation Orchestra, Antonio Pappano | A Major | 1 | 11B | 118 BPM | ||
The Adventures of Tin Tin: Air de Bijoux | Danish National Concert Choir, Danish National Symphony Orchestra, Christian Schumann, Beate Mordal | D Minor | 5 | 7A | 141 BPM | ||
Mon coeur s'ouvre à ta voix | Camille Saint-Saëns, Christa Ludwig, Giuseppe Patanè | C Major | 1 | 8B | 77 BPM | ||
Gounod : Faust: Act 1 "Avant de quitter" [Valentin] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | E♭ Major | 1 | 5B | 78 BPM | ||
Lucrezia Borgia / Act 2: Era desso il figlio mio | Gaetano Donizetti, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers | B♭ Minor | 1 | 3A | 98 BPM | ||
Una donna a quindici anni (Cosi fan tutte) | Hilde Gueden, London Symphony Orchestra | G Major | 1 | 9B | 74 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Couplets. "Eh quoi ! Monsieur, supposez-vous..." (Caroline, Alfred, Tourillon) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Michel Roux, Remy Corazza, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 1 | 9B | 80 BPM | ||
Mignonne, WWV 57 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima...Eccola!" | Gaetano Donizetti, Giuseppe Di Stefano, Hilde Gueden, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-Pradelli | F Minor | 1 | 4A | 125 BPM |
Section: 0.8317828178405762
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