On February 17, 2023, the song "Mendelssohn: Elijah, Op. 70, MWV A25, Pt. 2: No. 37, Arioso. "For the Mountains Shall Depart"" was released by Felix Mendelssohn, Rafael Frühbeck de Burgos, Dietrich Fischer-Dieskau, New Philharmonia Orchestra. The duration of Mendelssohn: Elijah, Op. 70, MWV A25, Pt. 2: No. 37, Arioso. "For the Mountains Shall Depart" is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Mendelssohn: Elijah, Op. 70, MWV A25, Pt. 2: No. 37, Arioso. "For the Mountains Shall Depart"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 45 in the song's album "Philharmonia Orchestra - Mendelssohn". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Mendelssohn: Elijah, Op. 70, MWV A25, Pt. 2: No. 37, Arioso. "For the Mountains Shall Depart" is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Mendelssohn: Elijah, Op. 70, MWV A25, Pt. 2: No. 37, Arioso. "For the Mountains Shall Depart" by Felix Mendelssohn, Rafael Frühbeck de Burgos, Dietrich Fischer-Dieskau, New Philharmonia Orchestra having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM | ||
Orpheus' Klage (Orfeo ed Euridice) | Christoph Willibald Gluck, Wilhelm Kempff, Matti Raekallio | D Minor | 0 | 7A | 69 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 138 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Piano Sonata In F Minor, P. 16: III. Allegretto | Ottorino Respighi, Konstantin Scherbakov | B♭ Minor | 1 | 3A | 98 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM |
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