Franz Joseph Haydn, Sir Colin Davis, Ian Bostridge, Dietrich Henschel, Sally Matthews, London Symphony Orchestra made "The Creation, Hob.XXI:2, Part II, No. 28: Zu Dir, O Herr, Blickt Alles Auf" available on June 9, 2009. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Joseph Haydn, Dietrich Henschel, London Symphony Orchestra, Sir Colin Davis's "Haydn: The Creation (Die Schöpfung)" album is number 14 out of 35. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Creation, Hob.XXI:2, Part II, No. 28: Zu Dir, O Herr, Blickt Alles Auf is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Creation, Hob.XXI:2, Part II, No. 28: Zu Dir, O Herr, Blickt Alles Auf by Franz Joseph Haydn, Sir Colin Davis, Ian Bostridge, Dietrich Henschel, Sally Matthews, London Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in E-Flat Major: II. Adagio ma non troppo | Carl Friedrich Zelter, Hariolf Schlichtig, Munich Chamber Orchestra | C Minor | 0 | 5A | 58 BPM | ||
Sinfonia Concertante in B-Flat Major, Hob. I.105: I. Allegro | Joseph Haydn, Gregory Ahss, Konstantin Pfiz, Lucas Macias Navarro, Guilhaume Santana, Claudio Abbado, Orchestra Mozart | B♭ Major | 1 | 6B | 124 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XI. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 121 BPM | ||
Viola Concerto in D Major: I. Allegro | Franz Anton Hoffmeister, Hariolf Schlichtig, Munich Chamber Orchestra | D Major | 1 | 10B | 128 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Symphony No.4 in D Minor, Op.12 No.4, G.506: 2. Andantino con moto I | Luigi Boccherini, Per Egland, Christian Lindberg, MIN Ensemble | C Minor | 1 | 5A | 97 BPM | ||
Serenade No. 1 in D Major, Op. 11: IVa. Menuetto I | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | B♭ Minor | 0 | 3A | 60 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": III. Tempo di minuetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 152 BPM |
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