"Chichester Psalms: II. Psalm 23 - Psalm 2:1–4" by Leonard Bernstein, Michael Small, Royal Liverpool Philharmonic Choir, Liverpool Metropolitan Cathedral Choir, Liverpool Philharmonic Youth Choir, Royal Liverpool Philharmonic Orchestra, Gerard Schwarz was released on September 1, 2005. Chichester Psalms: II. Psalm 23 - Psalm 2:1–4 is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The song is number 9 out of 10 in Bernstein: Symphony No. 3, 'Kaddish' / Chichester Psalms by Leonard Bernstein, Gerard Schwarz. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Chichester Psalms: II. Psalm 23 - Psalm 2:1–4 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chichester Psalms: II. Psalm 23 - Psalm 2:1–4 by Leonard Bernstein, Michael Small, Royal Liverpool Philharmonic Choir, Liverpool Metropolitan Cathedral Choir, Liverpool Philharmonic Youth Choir, Royal Liverpool Philharmonic Orchestra, Gerard Schwarz is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein Heldenleben, Op. 40, TrV 190: Der Held (The Hero) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 2 | 5B | 88 BPM | ||
Piano Concerto No. 4 in G Major, Op. 58: III. Rondo (Vivace) - Live | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | G Major | 1 | 9B | 140 BPM | ||
Le nozze di Figaro, K.492 - Original version, Vienna 1786 - Act 4: Le Nozze di Figaro, K. 492 - "Contessa, perdona...Ah tutti contenti" | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, Lucia Popp, Barbara Hendricks, José van Dam, Agnes Baltsa, Felicity Palmer, Aldo Baldin, Neil Jenkins, Robert Lloyd, Donald Maxwell, Cathryn Pope, Catherine Denly, John Constable, Ruggero Raimondi | C Major | 3 | 8B | 125 BPM | ||
Symphonic Suite (From the Film "On The Waterfront"): Andante - Presto barbaro Presto barbaro | Leonard Bernstein | F Minor | 3 | 4A | 142 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Songfest: VIII. "If You Can't Eat You Got To" | Leonard Bernstein, Clamma Dale, Nancy Williams, Rosalind Elias, Neil Rosenshein, John Reardon, Donald Gramm, National Symphony Orchestra Washington | C Major | 1 | 8B | 77 BPM | ||
Tristan und Isolde, WWV 90: Prelude to Act 1. Langsam und smachtend - Live | Richard Wagner, Bavarian Radio Symphony Orchestra, Leonard Bernstein | C Major | 1 | 8B | 77 BPM | ||
Gretchen am Spinnrade, D. 118 | Franz Schubert, Renée Fleming, Christoph Eschenbach | D Minor | 1 | 7A | 108 BPM | ||
3rd Movement: Scherzo | London Philharmonic Orchestra | C Major | 1 | 8B | 118 BPM | ||
"Pomp and Circumstance," Op.39: March, No.2 In A Minor | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 2 | 10A | 132 BPM |
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